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                      莫扎特之旅-音乐历史上的今天-伟大的作曲家、音乐评论家罗伯特·舒曼                    
                     
 
 
                   
                     

                   
                     
 
 

 
 

                                          田润德 编译 文/图 2020-02-27  16:36

 
 
 
 
 

 
 
 
 
 

 
 
 
 
 
  罗伯特.舒曼(Robert schumann,1810—1856)      
     
 

伯纳德·海汀克指挥舒曼和布鲁克纳

Bernard Haitink conducts Schumann and Bruckner

     
  罗伯特·舒曼A小调钢琴协奏曲,作品54安东·布鲁克纳D小调第九交响曲,WAB 109 ,  佩拉希亚钢琴演奏,伯纳德·海廷克,指挥家皇家协奏曲gebouw管弦乐队协奏曲,阿姆斯特丹,2009年3月4日5日8日

Robert Schumann - Piano Concerto in A minor, Op. 54

Anton Bruckner - Symphony No. 9 in D minor, WAB 109

Murray Perahia, piano Bernard Haitink, conductor

Royal Concertgebouw Orchestra

The Concertgebouw, Amsterdam, 4、5、8 March 2009

   
 
     
  音乐历史上的今天

1837年9月18日

    “与你父亲的会面可怕极了。他如此冷酷,如此恶意,如此心不在焉,如此自相矛盾——他用一种新办法摧毁一个人。他把匕首直没刀柄地刺进你胸膛……我感到非常丧气,非常羞愧,以至于根本没法有任何美丽愉快的想法;甚至连你的面容也在逃避我,我都记不起你的眼睛了……他甚至不许我再见你!”绝望的舒曼给克拉拉的信中这样写道。
舒曼于1810年6月8日出生在茨维考一个出版商家庭,父亲是一个文化人。舒曼小时候,父亲特别注意培养他对文学艺术的爱好。中学时代,他热心钻研文学课程,独自翻译古典名著,对席勒和歌德的作品有过深入的研究。这时的舒曼已经是大量抒情诗、三个剧本和两部长篇小说的作者了。他在文学方面的丰富知识,后来成为他进行音乐创作和评论的扎实基础。舒曼对音乐的兴趣,几乎与文学同时产生,他6岁开始接触音乐,7岁便有几首钢琴作品问世,13岁指挥中学的管弦乐队和合唱队演奏自己创作的赞美诗;他的钢琴即兴演奏,从小一直吸引着人们的注意。
1828年,舒曼来到了德国的文化中心莱比锡。在这里,他犹如进入了知识的海洋。各种哲学思想、文艺论著纷至沓来,剧院的演出、音乐会以及形形色色的艺术沙龙,都大大拓宽了他的眼界。中学毕业后,由于母亲的坚决要求,舒曼在莱比锡和海德堡大学选修法科两年。在这期间,音乐依然是他兴趣的中心,并举行公开演奏会,创作包括钢琴套曲《蝴蝶》在内的一系列作品。1829年,舒曼师从弗雷德里希·维克学习钢琴和声,维克日后成为他的岳父。
从1849年开始,舒曼的健康情况逐渐恶化。由于他长年为自己的幸福而进行斗争,如早年他就立志选择音乐为其专业,但家里却希望培养他进法院工作,家庭的守旧习惯的这一羁绊,使一向敏感和爱好交际的18岁青年突然变得忧郁寡言,甚至流露出厌世的情绪;他长期处在这种烦恼的情绪之中,经常为一种痛苦的幻觉和恐惧的心理所折磨,终于患了严重的精神病。由于舒曼的工作过度的紧张与疲劳,使几年前埋下的祸根开始逐渐发作,舒曼经常感到头疼、耳鸣,有时甚至出现幻觉。
1844年秋季的一天,舒曼突然出现无端的惧怕与癫狂,克拉拉惊恐地把他送进医院。医生建议他们换一个生活环境,这样有利于恢复舒曼的精神健康。于是,他们全家迁往德累斯顿。在那里,幽雅的环境使作曲家渐渐好转,但并没有彻底康复。
1854年,舒曼的精神病再度发作。此次,他完全丧失了理智,终日不能安宁。克拉拉非常痛苦,但她却尽心尽力地昼夜守候着自己的丈夫。冬季里的一天,舒曼趁妻子稍不留神,只穿一件单衣溜出家门,纵身跳入冰冷刺骨的莱茵河,结果被附近的渔民救起,幸免于难。
1856年7月29日,舒曼在克拉拉的怀抱里呼出了他生命中的最后一口气,终年只有46岁。他的遗体被葬在波恩。
最后,有必要再次提起舒曼的妻子克拉拉。这位杰出的女钢琴家在舒曼生前,一直凭借自己优秀的演奏才能,出色演奏了丈夫的钢琴曲;舒曼死后,她不仅以更大的热情公演他的音乐作品,而且亲手整理他的文稿与所有的音乐创作,编订全集出版。舒曼的作品能推广于世,为众人所熟知,实在是克拉拉的功劳。可以毫不夸张地讲,舒曼在欧洲音乐史上能享有一席之地,与克拉拉的努力是密切相关的。
1830年,舒曼获得完全献身于音乐艺术的权利,30年代是他的钢琴创作的全盛时期,同时,他还创办《新音乐报》,积极进行音乐评论活动。1832年,他想当一名音乐会钢琴家的梦想落空了,原因是练琴手指伤残,也可能是疾病所致。这一疾病倒成了好事,使他得以花更多的时间作曲。1840年,舒曼与从前的老师的女儿克拉拉·维克结婚,克拉拉日后成为他的钢琴作品的最著名的演绎者。40年代,他不断扩大音乐创作的范围,写出不少声乐曲、交响曲、室内乐重奏曲、清唱剧和歌剧等,并应门德尔松的邀请,在当时刚成立的莱比锡音乐学院教授作曲和钢琴等课程。
舒曼创作的基本主题,是人和他的内心世界,即着重于矛盾复杂的心理刻画和性格描写,而且常常带有自传的性质。他的音乐反映了很多强烈的内心活动,包括奔放的热情和激烈的冲动等。最能自由抒发他思想感情的,主要是他的钢琴和声乐作品。他的交响音乐创作,集中在40年代写成。由于舒曼的交响曲所表现的内容基本上依然以孤独的个人内,心体验为基础,同时与要求拥有宏伟构思的交响曲这种体裁并不十分适应,加之舒曼对管弦乐队的掌握远不及他对钢琴表现技术的透彻了解,所以他的交响曲的创作成就并不十分突出。
舒曼的多才多艺,也突出地表现在他的音乐评论活动方面。他是欧洲音乐史上最杰出的音乐评论家之一。
今日视频:1、
佩拉希亚演奏罗伯特·舒曼A小调钢琴协奏曲。2、阿格里奇演奏舒曼《童年情景》Op.15

 
 
 
 
 
       
  风华正茂的少年罗伯特.舒曼(robert schumann)      
  舒曼的美好的童年
一个凉爽的夏夜,在德国的偏僻小城市茨维考,书商腓德烈·舒曼的家中灯火通明、琴音不绝,这里正进行着惯例的周末音乐晚会。
现在正轮到主人十岁的小儿子罗伯特演奏。一曲奏罢,小罗伯特又弹一首贝多芬的变奏曲,他依然是那么认真。乐曲进人第二变奏时,孩子调皮地回头看看爸爸。根据以往的经验,大伙儿知道,这孩 子准备开玩笑了......
果然,音乐经过一个奇妙的转换,小罗伯特用贝多芬的主题奏出了一段风马牛不相及的音乐。就象画家有抓住人物形象特征的本领一样,罗伯特有用音乐捕捉人物性格特征的能力,能在钢琴上即兴地“画”出晚会参加者的音乐肖像来。
这一次,他又在 “画” 谁呢?“这不是在‘画'调皮鬼弗兰茨吗?”大家会心地笑了。一会儿,音乐又转为一段行板,速度不快,但节奏鲜明,显得沉着稳重……“这又在‘画’谁呢?”大伙儿四处张望,寻找着合适的对象。大家的目光不约而同地在腓德烈·舒曼身上停住了,“哈!原来他在‘画’爸爸!大伙儿个个笑得前仰后合,腓德烈也捋着胡子呵呵直乐,罗伯特更是得意地高叫:。“猜对了,猜对了!”
这个弹琴的孩子就是以后闻名世界的音乐家罗伯特·舒舒曼。他自幼显露的才艺不止在音乐方面,由于他父亲酷爱文学,罗伯特从小深受影响,很小就能写诗和小戏剧,上中学以后,又能独自翻译和研究古典名著。父亲很希望罗伯特能在文学上有所成就,但看到小儿子在音乐上的非凡才华,他又 踟蹰不定了。以至他的父亲在1826年去世时,还没有对舒曼的前途作出决断。父亲死后,家里经济并不充裕,母亲更多考虑的是让儿子谋取一个稳当的职业。1828年,舒曼中学毕业了,母亲要求他学法律,因为当时的律师是能挣大钱的。至于音乐,只允许他业余学习。舒曼只得忍痛顺从母亲的愿望,前往莱比锡大学法律系学习。
莱比锡是全德的文化中心。舒曼在这里就象进入了知识的海洋。他贪婪地阅读最新的文艺论著,研究各种哲学思想,还学习外语和历史,大大地开阔了他的视野。与此相反,他对冷冰冰的法律课程以及大学里枯燥的教授法却由衷地感到乏味。舒曼越是走向知识的深处,就越是抑制不住对 艺术的爱好。他利用母亲允许他业余学音乐的诺言,几乎每天晚上都去参从各种音乐活动。他还向莱比锡有名的钢琴教育家弗里德里希·维克(克拉拉的父亲)学习钢琴。事实上,在舒曼的各门学科中,音乐仍然 占据了首位。
     
  Schumann's Wonderful Childhood
On a cool summer night in the remote small city of Zwickau, in Germany, the house of bookseller Friedrich Schumann was brightly lit and the piano music was continuous. Here was the usual weekend music party.
Now it was the turn of the young son of the owner, Robert, to perform. After one piece was over, little Robert played another Beethoven variation, still so serious. When the music entered the second variation, the child playfully looked back at his father. Based on past experience, everyone knew that this child was preparing to play a joke...
Sure enough, the music underwent a wonderful transformation. Robert, using Beethoven's theme, played a piece of music completely unrelated. Just like a painter has the ability to capture the characteristics of a character, Robert had the ability to capture the personality traits of a person through music, and could spontaneously "draw" the musical portraits of the participants at the party on the piano.
This time, who was he "drawing"? "Isn't this 'drawing' the naughty Franz?" Everyone smiled knowingly. After a while, the music turned to a slow movement, not fast but with a distinct rhythm, appearing calm and steady... "Who is this 'drawing'?" Everyone looked around, searching for the appropriate subject. Everyone's gaze coincidentally stopped on Friedrich Schumann, "Ha! So he is 'drawing' his father! Everyone burst into laughter, Friedrich also stroked his beard and laughed heartily, Robert was even more得意ly shouting: "You guessed it right, you guessed it right!"
This child who played the piano was the famous musician Robert Schumann in the future. His talents did not only manifest in music, but also because his father loved literature, Robert was greatly influenced from a young age. He could write poems and small dramas by himself, and after middle school, he could independently translate and study classical masterpieces. His father hoped that Robert would achieve something in literature, but seeing his son's extraordinary talent in music, he hesitated. As a result, his father did not make a decision on Schumann's future until 1826 when he died. After his father's death, the family's economy was not abundant, and the mother was more concerned about getting her son a stable career. In 1828, Schumann graduated from high school, and his mother asked him to study law because lawyers could earn a lot of money at that time. As for music, he was only allowed to study it as an amateur. Schumann had to reluctantly follow his mother's wish and go to the University of Leipzig to study law.
Leipzig was the cultural center of all of Germany. Here, Schumann was like entering the ocean of knowledge. He greedily read the latest literary works, studied various philosophical ideas, and also learned foreign languages and history, greatly broadening his horizons. On the contrary, he was deeply dissatisfied with the cold legal courses and the dull professors at the university. The more Schumann delved into the depths of knowledge, the more he could not suppress his love for art. He used the promise of his mother allowing him to study music as an amateur, and almost every night he attended various music activities. He also learned the piano from the famous piano teacher Friedrich Wick (Clara's father) in Leipzig. In fact, in all his subjects, music still occupied the first place.
 
     
       
  罗伯特.舒曼和夫人克拉拉      
  Robert Schumann and his wife Clara      
 
     
  Today in music history
On February 27, 1854, Robert Schumann, 43, jumped from a bridge into the Rhine river."Schuman's state of mind was deteriorating by the day. He heard music constantly in his ears, sometimes extremely beautiful, but mostly terrible and painful."
Schumann was born on June 8, 1810, to a publisher's family in zwickau, the son of an intellectual.When schumann was a child, his father paid special attention to his interest in literature and art.When he was in middle school, he was keen on studying literature courses and translating classics by himself. He had conducted in-depth studies on the works of Schiller and Goethe.Schumann was already the author of a number of lyric poems, three plays and two novels.His extensive knowledge of literature later became a solid foundation for his music writing and criticism.Schumann's interest in music almost coincided with literature. He began to learn music at the age of 6.His piano improvisation has always attracted people's attention since his childhood.
In 1828, schumann came to leipzig, the cultural center of Germany.Here he entered the sea of knowledge.Philosophical ideas, literary works, theatrical performances, concerts, and various art salons greatly broadened his horizons.After graduating from high school, at his mother's insistence, schumann studied law for two years at the universities of leipzig and Heidelberg.During this time, music remained at the center of his interest, giving public concerts and composing a series of works, including the piano suite butterfly.In 1829, schumann learned piano harmony from friedrich vick, who would become his father-in-law.
Beginning in 1849, schumann's health gradually deteriorated.Because of his long years of struggle for his own happiness, such as early in his life he determined to choose music as his major, but the family wanted to cultivate him to work in the court, the family's old habits of this fetter, has been sensitive and sociable young man of 18 suddenly become depressed, even revealed the mood of misanthropy;He had been in this vexing mood for a long time, and had been tormented by painful hallucinations and fears, until at last he was seriously ill.As the strain and fatigue of his overwork began to bite, the seeds of the trouble that had been laid a few years before, he often had headaches, ringing in his ears and even hallucinations.
One day in the fall of 1844, schumann suddenly became frightened and insane. Clara took him to the hospital in a panic.The doctor advised them to change their living environment, which would help to restore schumann's mental health.So the family moved to dresden.There, the quiet surroundings gradually improved the composer, but he did not fully recover.
In 1854, schumann's psychosis returned.This time, he completely lost his mind, all day long restless.Clara was in great pain, but she did her best to watch for her husband day and night.One winter day, when his wife was not looking, schumann slipped out of the house wearing only a single coat and plunged into the icy Rhine, only to be rescued by a nearby fisherman.
On July 29, 1856, schumann breathed his last breath in Clara's arms at the age of 46.His body was buried in Bonn.
Finally, it is worth mentioning schuman's wife Clara again.This outstanding female pianist in schumann, has been relying on their own excellent performance, excellent performance of her husband's piano music;After schumann's death, she not only performed his musical works with greater enthusiasm, but also personally arranged his manuscripts and all his musical creations, compiled and published the complete works.It is Clara's credit that schumann's work has become so well known in the world.It is no exaggeration to say that Clara's efforts were closely related to schumann's place in European music history.
In 1830, schumann was granted the right to devote himself entirely to the art of music. In the 1930s, his piano writing was in its heyday.In 1832, his dream of becoming a concert pianist fell through because of a broken finger or illness.The disease was a boon, allowing him to spend more time composing.In 1840, schumann married Clara wick, the daughter of his former teacher, who became his most famous performer on the piano.In the 1940s, he continued to expand the scope of his musical creation, writing many vocal compositions, symphonies, chamber ensembles, oratorio and operas. At Mendelssohn's invitation, he taught composition and piano courses at the then newly established leipzig conservatory of music.
The basic theme of schumann's works is the inner world of man and man, that is, the emphasis on the contradictory psychological depiction and character description, often with an autobiographical nature.His music reflects many strong inner activities, including unrestrained enthusiasm and fierce impulses.The most free expression of his thoughts and feelings, mainly his piano and vocal music works.His symphonic compositions were concentrated in the 1940s.Because of schumann symphony content is basically still in lonely people, heart experience as the foundation, and at the same time have a grand idea symphony is not very adapt to the genre, and schumann grasp of the orchestra is far less than his understanding of the piano performance techniques, so his symphony creation achievement is not very prominent.
Schumann's versatility is also highlighted in his music criticism activities.He is one of the greatest critics of European music.
Today's video: 1. Pelahia plays the Robert schumann piano concerto in A minor.2. Agridge plays schumann's "childhood scene" op.15.
 
 
 
 
       
  罗伯特.舒曼(robert schumann)      
  罗伯特·舒曼是德国浪漫主义时期的作曲家和音乐评论家。他被认为是浪漫主义时代最伟大的作曲家之一,以其创新和令人回味的钢琴音乐,以及他的歌曲循环和室内乐而闻名。舒曼也因其对音乐批评的贡献而闻名,他是约翰内斯·勃拉姆斯和弗雷姆·肖邦音乐的倡导者。尽管晚年与精神疾病作斗争,舒曼的音乐今天仍然很受欢迎,并继续被世界各地的音乐家和音乐爱好者演奏和研究。      
  Robert Schumann was a German composer and music critic of the Romantic era. He is considered one of the greatest composers of the Romantic era, known for his innovative and evocative piano music, as well as his song cycles and chamber music. Schumann was also known for his contributions to music criticism, and he was an advocate for the music of Johannes Brahms and Frédéric Chopin. Despite struggling with mental illness in later life, Schumann’s music remains popular today and continues to be performed and studied by musicians and music lovers around the world.      
   
  舒曼在100马克的钞票上,Schumann on the 100 DM banknote      
   
  背面,展示了她弹奏的一架大钢琴,以及她任教的霍奇博士大楼      
  Banknote, reverse, showing a grand piano that she played, and the building of Dr. Hoch's where she taught      
 
     
       
  克拉拉`舒曼在演奏(Schumann Clara Josephine Wieck)      
  克拉拉`舒曼(Schumann Clara Josephine Wieck;(1819年9月13日1896年5月20日),德国钢琴家、作曲家和钢琴教师。她被认为是浪漫主义时期最杰出的钢琴家之一,在长达61年的音乐生涯中,她发挥了自己的影响力,改变了钢琴独奏会的形式和曲目,从展示精湛的技巧到编排严肃的作品。她还创作了钢琴独奏、钢琴协奏曲(她的作品7)、室内乐、合唱和歌曲。她在莱比锡长大,父亲弗里德里希·威克(Friedrich Wieck)是一名职业钢琴家和教师,母亲是一名颇有成就的歌手。她是一个神童,是她父亲培养出来的。她11岁开始巡演,并在巴黎、维也纳等城市取得了成功。她嫁给了作曲家罗伯特·舒曼,有了八个孩子。他们一起鼓励约翰内斯·勃拉姆斯,并与他保持着密切的关系。她公开首演了丈夫和勃拉姆斯的许多作品。罗伯特·舒曼(Robert Schumann)去世后,她继续在欧洲巡演了几十年,经常与小提琴家约瑟夫·约阿希姆(Joseph Joachim)和其他室内乐家合作。从1878年开始,她在法兰克福博士的konserv佩兰是一位有影响力的钢琴教育家,在那里她吸引了许多国际学生。她编辑出版了她丈夫的著作。舒曼在法兰克福去世,但被安葬在波恩,她的丈夫在旁边。有几部电影都聚焦于舒曼的生平,最早的一部是1944年的《梦之创伤》。2008年的一部电影,Geliebte Clara(亲爱的Clara),由Helma Sanders-Brahms执导。克拉拉·舒曼的画像来自安德烈亚斯·斯托布1835年的一幅平版版画,1989年至2002年间,这幅画像被印在100德国马克的纸币上。她的作品从20世纪后期开始再次受到关注,尤其是在2019年她诞辰200周年前后,这也是她推出新书和展览的原因。      
  Clara Schumann (Schumann Clara Josephine Wieck; 13 September 1819 20 May 1896) was a German pianist, composer and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital from displays of virtuosity to programs of serious works. She also composed solo piano pieces, a piano concerto (her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where her father, Friedrich Wieck, was a professional pianist and teacher, and her mother an accomplished singer. She was a child prodigy, trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by her husband and by Brahms in public. After Robert Schumann's early death, she continued her concert tours in Europe for decades, frequently with the violinist Joseph Joachim and other chamber musicians. Beginning in 1878, she was an influential piano educator at Dr. Hoch's Konservatorium in Frankfurt, where she attracted international students. She edited the publication of her husband's work. Schumann died in Frankfurt, but was buried in Bonn beside her husband. Several films have focused on Schumann's life, the earliest being Träumerei (Dreaming) of 1944. A 2008 film, Geliebte Clara (Beloved Clara), was directed by Helma Sanders-Brahms. An image of Clara Schumann from an 1835 lithograph by Andreas Staub was featured on the 100 Deutsche Mark banknote from 1989 to 2002. Her compositions have received attention again from the late 20th century, especially around her bicentenary in 2019 which was also the reason for new books and exhibitions.      
       
  德国茨维考舒曼的出生地的罗伯特舒曼博物馆      
  The Robert Schumann House Museum in Zwickau, Germany      
 
     
       
  伯纳德·海汀克,1929 - 2021      
  伯纳德·海汀克,曾是芝加哥交响乐团的首席指挥,于 10 月 21 日去世,享年 92 岁。他取得了诸多成就。作为那个时代最杰出的指挥家之一,他于 1954 年首次执棒专业音乐会,并在 1961 年被任命为著名的皇家音乐厅管弦乐团的首席指挥。他获得了众多荣誉,其中包括两次格莱美奖,其中一次是与芝加哥交响乐团合作获得的。在芝加哥期间,他为芝加哥交响乐团唱片公司录制了八张唱片。      
   
  Bernard Haitink, 1929-2021
Bernard Haitink, former principal conductor of the Chicago Symphony Orchestra, who died Oct. 21 at age 92, achieved many milestones. Regarded as one of the greatest conductors of his era, he led his first professional concert in 1954, and in 1961, was named principal conductor of the famed Royal Concertgebouw Orchestra. Among many honors, he won two Grammy Awards, including one with the CSO. During his Chicago tenure, he recorded eight discs on CSO Resound.
     
       
  穆雷·佩拉希亚(Murray Perahia)      
  穆雷·佩拉希亚(1947 年 4 月 19 日出生于美国纽约布朗克斯)是一位美国钢琴家兼指挥家,他最为人所知的是其对沃尔夫冈·阿玛多伊斯·莫扎特协奏曲的细腻演绎,这些演绎都是在键盘上指挥完成的。
佩拉希亚在纽约市的曼尼斯音乐学院接受过专业训练。1972 年,他以全票优势赢得了利兹国际钢琴比赛,并于 1975 年获得了阿维·费希尔奖的第一名。1982 年至 1989 年,他担任了位于英国的阿尔德伯格音乐节的音乐总监,此后他定居在英国。1991 年,他的拇指受伤并发炎,最终导致他直到 1993 年都无法再弹奏钢琴,此后多年他的演奏生涯也受到了影响,多次中断。除了录制莫扎特的协奏曲之外,佩拉希亚还因对弗雷德里克·肖邦、约翰·塞巴斯蒂安·巴赫(比如《哥德堡变奏曲》)以及贝拉·巴托克作品的演绎而赢得了赞誉。他还是一位著名的指挥家。
佩拉希亚获得了众多荣誉。他的格莱美奖包括最佳独奏乐器表演(无管弦乐队)——肖邦:《练习曲》第 10 号和第 25 号(2002 年)。2004 年,他被授予英国帝国勋章荣誉骑士司令勋章(KBE)。
     
  Murray Perahia (born April 19, 1947, Bronx, New York, U.S.) is an American pianist and conductor who was perhaps best known for his sensitive recordings of Wolfgang Amadeus Mozart’s concertos, conducted from the keyboard.

Perahia was trained at the Mannes College of Music in New York City. He won the Leeds International Piano Competition by unanimous vote in 1972, and in 1975 he shared the first Avery Fisher Prize. From 1982 to 1989 he was music director of the Aldeburgh Festival, which was in England, where he settled. In 1991 he suffered an injury to his thumb that became septic. The injury ultimately prevented him from playing the piano until 1993 and continued to affect him in later years, causing several interruptions in his performing career. In addition to his recordings of Mozart’s concertos, Perahia earned acclaim for his interpretations of works by Frédéric Chopin, Johann Sebastian Bach—namely the Goldberg Variations—and Béla Bartók. He also was a noted conductor.

Perahia was the recipient of numerous honours. His Grammy Awards included best instrumental soloist performance (without orchestra) for Chopin: Études, Op. 10 & Op. 25 (2002) . In 2004 he was made an honorary Knight Commander of the Order of the British Empire (KBE).
     
       
  玛塔·阿格里奇(Martha Argerich)      
  玛塔·阿格里奇(Martha Argerich),1941年6月5日出生于布宜诺斯艾利斯,阿根廷钢琴演奏者 。
1955年,师从奥地利钢琴演奏者弗里德里希·古尔达。1957年,在三周内赢得布索尼、日内瓦国际钢琴比赛第一名,开始受到关注  。1960年,录制首张唱片。1965年,获得第七届肖邦国际钢琴比赛第一名,正式开启演奏生涯  。1968年,开始与指挥家克劳迪奥·阿巴多、柏林爱乐乐团合作录制唱片  。1978年,与美国指挥家西蒙·戈德伯格、荷兰室内乐团录制莫扎特的《第二十五钢琴协奏曲》 。1984年,与小提琴演奏者吉顿·克莱默合作,录制贝多芬的《小提琴奏鸣曲》全集。1992年,参加柏林除夕音乐会演出 。1996年,随指挥家夏尔·迪图瓦执掌的法国国家交响乐团首次来华演 出   。1997年,凭借柴可夫斯基《第一钢琴协奏曲》专辑获得西班牙激光唱片大奖。1999年,二度赴华演出 。
     
     
 

  阿格里奇演奏舒曼 童年情景 Op.15 超高清

 Martha Argerich Schumann Kinderszenen

     
 
 
 
     
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