|
||||||||||||||||||||||||||
 |
 |
|||||||||||||||||||||||||
|
|
|
||||||||||||||||||
|
|
|
|||||||||||||||||
| 查尔斯·伯尼（Charles Burney，1726–1814） | ||||||||||||||||||
| 奥地利国家图书馆 | ||||||||||||||||||
|
18世纪喜爱艺术及科学的神圣罗马帝国皇帝 也就是奥地利女王玛丽亚·特蕾莎的父亲 查理六世在位期间 开始为几个世纪以来奥地利皇室藏书兴建独立图书馆 三年后一座豪华巴洛克风格的图书馆在霍夫堡宫建筑群落成 这座图书馆无照明设备、无取暖设施 完全以精密的设计 以窗户、天窗导光入室 以厚墙调节四季温差 几百年来图书馆超过20万件珍贵藏品未有重大受损 至今也依然维持18世纪主流的图书分类系统 除了华丽雄伟的巴洛克建筑外 更像是直接穿越回18世纪亲眼见证历史 另外奥地利国家图书馆所在的霍夫堡宫建筑群 从13世纪开始就是奥地利哈布斯堡家族的统治中心 几个世纪以来随着哈布斯堡王朝崛起 霍夫堡宫也不停增建 直到第一次世界大战战败奥匈帝国解体 新皇宫的兴建工程仍尚未完工 霍夫堡宫建筑群的壮观规模可见一斑 这次就让我们一起走进 有最美图书馆之称的奥地利国家图书馆 及世界文化遗产之一的维也纳霍夫堡宫建筑群 |
||||||||||||||||||
|
|
||||||||||||||||||
|
音乐历史上的今天
1772年9月10日，在维也纳皇家音乐图书馆，伯尼博士发现“一套巨大的收藏......由于顺序错乱，其内容目前几乎无法知道”。
1746年，伯尼因其多方面的文化才智受雇于贵族格雷维尔，他受雇于贵族富尔克·格雷维尔。 1749年任伦敦圣迪奥尼斯后教堂管风琴师，同年，他接替约翰·斯坦利，成为康希尔国王徽章音乐会的管风琴师和大键琴师。此后他在伦敦教授学生、组织演出并从事各种文化活动，其寓所成为当时伦敦文化界的著名社交场所。1769年，他获得牛津大学音乐博士学位，并于1773年成为英国皇家学会院士。他立志撰写音乐史以改变公众对音乐的偏见，为此于1770年至1772年游历欧洲，访问法国、意大利、德国、奥地利等国，并出版了旅行记录《法国与意大利的音乐现状》（1771年）和《德国、荷兰及联合省的音乐现状》（1773年）。 他撰写了代表作《音乐通史》（A
General History of
Music，1776-1789年出版）。晚年担任切尔西学院管风琴师，于1814年4月12日在切尔西学院去世。 |
|
|||||||||||||||||
 |
||||||||||||||||||
| 查尔斯·伯尼（Charles Burney，1726年4月7日—1814年4月12日） | ||||||||||||||||||
 |
||||||||||||||||||
| 未来将军亚历山大·德·阿尔布雷夫人肖像（她于1793年才嫁给这位法国移民），弗朗西丝，又名“范妮”·伯尼（1752–1840），英国作家，由其兄所绘。弗朗西丝·德·阿尔布雷（“范妮·伯尼”），约1784–1785年。弗朗西丝·德·阿尔布雷（“范妮·伯尼”）由爱德华·弗朗西斯科·伯尼绘制。 | ||||||||||||||||||
| Portrait of future femme du général Alexandre d'Arblay (elle n'épouse cet émigré français qu'en 1793), Frances, alias 'Fanny' Burney (1752-1840), British writer, par son frère. Frances d'Arblay ('Fanny Burney'). circa 1784-1785. Frances d'Arblay ('Fanny Burney') by Edward Francisco Burney | ||||||||||||||||||
 |
||||||||||||||||||
|
查尔斯·伯尼的家乡，1901年扩建和翻新完成后，什鲁斯伯里车站的明信片视角。 |
||||||||||||||||||
| A postcrview of Shrewsbury Station after the completion of the 1901 extension and refurbishment. bo'li | ||||||||||||||||||
 |
||||||||||||||||||
| 今日奥地利皇家图书馆 | ||||||||||||||||||
|
古希腊哲学家柏拉图说：“音乐和旋律把灵魂引向奥秘”。那么来到了”奥地利皇家图书馆”，看到令人震撼的来自世界的经典文献。我们应该说：“书籍是灵魂的阶梯，把心灵引向真理的殿堂。” 查尔斯·伯尼当年造访的奥地利皇家图书馆，就是今天的奥地利国家图书馆（Austrian National Library），它其中有大量的音乐收藏。 历史背景与现状： 当时的名称：在1772年伯尼访问时，该图书馆被称为“皇家图书馆”（Imperial Library / Hofbibliothek）。它由哈布斯堡王朝创立，1918年才改为现名。 现在的地点：它位于奥地利首都维也纳（Vienna, Austria）。其最著名、最具代表性的巴洛克式主阅览厅“普隆克厅”（Prunksaal）位于维也纳市中心的霍夫堡宫（Hofburg）建筑群内。 关于伯尼的见闻： 查尔斯·伯尼在1772年游历奥地利和德国期间，确实造访了维也纳并会见了格鲁克（Gluck）等作曲家。他提到的“顺序错乱、内容几乎无法知道”的巨大收藏，指的正是当时皇家图书馆内极为庞大但尚未被完全系统整理的手稿档案。 如今，这些珍贵的音乐遗产依然保存在奥地利国家图书馆的音乐部（Music Collection）。该部门拥有约45,000份音乐手稿，包括海顿、莫扎特、贝多芬、舒伯特等大师的亲笔手稿，以及15世纪的唱诗班乐谱和神圣罗马帝国皇帝的私人音乐档案。 |
||||||||||||||||||
 |
||||||||||||||||||
| 奥地利国家图书馆位于维也纳市中心，是当今世界五大图书馆之一。这是奥地利最大的图书馆，全世界最有价值的图书馆之一。前身是哈布斯堡王朝的皇家图书馆，历史可追溯至1575年。1920年，皇家图书馆改称国家图书馆。普隆克厅建于18世纪，被视为全球最美丽的古老图书室之一。 | ||||||||||||||||||
| The Austrian National Library is located in the center of Vienna and is one of the five largest libraries in the world today. It is the largest library in Austria and one of the most valuable libraries in the world.The Austrian National Library is located in the center of Vienna and is one of the five largest libraries in the world today. It is the largest library in Austria and one of the most valuable libraries in the world. Its predecessor was the royal library of the Habsburg dynasty, with a history dating back to 1575. Its predecessor was the royal library of the Habsburg dynasty, with a history dating back to 1575. In 1920, the royal library was renamed the National Library. In 1920, the royal library was renamed the National Library. The Plunkett Hall was built in the 18th century and is regarded as one of the most beautiful ancient libraries in the world. The Plunkett Hall was built in the 18th century and is regarded as one of the most beautiful ancient libraries in the world. | ||||||||||||||||||
 |
||||||||||||||||||
| 奥地利国家图书馆的主体及阅览大厅建成于1726年，是一座典型的巴洛克式建筑。图书馆的阅览大厅极具特色，被誉为世界上最华丽的阅览厅。普隆克厅内有很多华丽的壁画，藏有1501年至1850年间约20万册古籍。 | ||||||||||||||||||
| The main building and reading hall of the Austrian National Library were completed in 1726, featuring a classic Baroque architectural style. The reading hall is highly distinctive and is widely regarded as the most magnificent reading room in the world. Adorned with splendid frescoes, the Prunksaal (State Hall) houses approximately 200,000 rare books published between 1501 and 1850. | ||||||||||||||||||
 |
||||||||||||||||||
| 图书馆馆藏超过700万件，最著名的有4.3万份善本、23.8万份手稿，其中包括音乐家莫扎特、海顿、贝多芬的乐谱手稿，公元五世纪前出版的《维也纳发展史》、《维也纳药学大纲》等近8000份古版本。图书馆馆藏超过700万件，最著名的有4.3万份善本、23.8万份手稿，其中包括音乐家莫扎特、海顿、贝多芬的乐谱手稿，公元五世纪前出版的《维也纳发展史》、《维也纳药学大纲》等近8000份古版本。 | ||||||||||||||||||
 |
||||||||||||||||||
| The library has over 7 million items in its collection. The most notable ones include 43,000 rare books and 238,000 manuscripts, such as the musical score manuscripts of composers Mozart, Haydn, and Beethoven, and nearly 8,000 ancient editions published before the 5th century, including "The History of Vienna Development" and "The Outline of Vienna Pharmacy". The library has over 7 million items in its collection. The most notable ones include 43,000 rare books and 238,000 manuscripts, such as the musical score manuscripts of composers Mozart, Haydn, and Beethoven, and nearly 8,000 ancient editions published before the 5th century, including "The History of Vienna Development" and "The Outline of Vienna Pharmacy". | ||||||||||||||||||
 |
||||||||||||||||||
| 维也纳国家图书馆珍藏大量的古典音乐作曲大师的手稿 | ||||||||||||||||||
|
在1772年伯尼访问时，该图书馆被称为“皇家图书馆”（Imperial Library /
Hofbibliothek）。它由哈布斯堡王朝创立，1918年才改为现名。 它位于奥地利首都维也纳（Vienna, Austria）。其最著名、最具代表性的巴洛克式主阅览厅“普隆克厅”（Prunksaal）位于维也纳市中心的霍夫堡宫（Hofburg）建筑群内。 查尔斯·伯尼在1772年游历奥地利和德国期间，确实造访了维也纳并会见了格鲁克（Gluck）等作曲家。他提到的“顺序错乱、内容几乎无法知道”的巨大收藏，指的正是当时皇家图书馆内极为庞大但尚未被完全系统整理的手稿档案。 如今，这些珍贵的音乐遗产依然保存在奥地利国家图书馆的音乐部（Music Collection）。该部门拥有约45,000份音乐手稿，包括海顿、莫扎特、贝多芬、舒伯特等大师的亲笔手稿，以及15世纪的唱诗班乐谱和神圣罗马帝国皇帝的私人音乐档案。 |
||||||||||||||||||
 |
||||||||||||||||||
| 维也纳国家图书馆珍藏大量的古典音乐作曲大师的手稿 | ||||||||||||||||||
| During Berni's visit in 1772, the library was called "Imperial Library" (Hofbibliothek). It was founded by the Habsburg dynasty and was renamed to its current name in 1918. It is located in the capital of Austria, Vienna. Its most famous and representative Baroque main reading hall, "Prunksaal", is located within the Hofburg complex in the center of Vienna. During his travels through Austria and Germany in 1772, Charles Berni did visit Vienna and met composers such as Gluck. The "disordered sequence and almost impossible to know the content" of the huge collection he mentioned referred to the extremely large but not yet fully systematically organized manuscript archives in the royal library at that time. Today, these precious musical legacies are still preserved in the Music Collection of the Austrian National Library. This department has approximately 45,000 musical manuscripts, including the autograph manuscripts of masters such as Haydn, Mozart, Beethoven, and Schubert, as well as 15th-century choir music scores and the private musical archives of the Holy Roman Emperor. | ||||||||||||||||||
 |
||||||||||||||||||
| 伯尼家族的剪影肖像（可能为音乐史学家查尔斯·伯尼？），画面中一家人围坐在一张桌子旁，窗帘随风飘动，营造出优雅的场景。时间：约18世纪80年代。 | ||||||||||||||||||
| A silhouette portrait of the Burney family (possibly that of the musical historian, Charles Burney?), pictured in a civilised tableaux around a table with swagged curtains framing the scene. Date: c.1780s | ||||||||||||||||||
 |
||||||||||||||||||
| 《查尔斯·伯尼的音乐之旅》封面，18世纪欧洲宫廷音乐文化，无与伦比的文档资料，带给我们人类的永恒灵魂。 | ||||||||||||||||||
| The cover of "Charles Berni's Musical Journey", 18th-century European court music culture, unparalleled documentary materials, bring us the eternal soul of humanity. | ||||||||||||||||||
|
|
||||||||||||||||||
|
Today in the
history of music Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world. |
|
|||||||||||||||||
 |
||||||||||||||||||
|
||||||||||||||||||
 |
||||||||||||||||||
| 查尔斯·伯尼（Charles Burney ）唱片封面 | ||||||||||||||||||
 |
||||||||||||||||||
| 查尔斯·伯尼（Charles Burney M. D. F. R.S.）威斯敏斯特大教堂（位于伦敦威斯敏斯特区）的墓碑 | ||||||||||||||||||
|
碑文：为纪念查尔斯·伯尼（Charles Burney
M. D. F.
R.S.）——一位年迈而卓越、品德高尚、家族的骄傲、社会的喜悦、无与伦比的领袖，以及科学史学家。他深受爱戴、敬仰与追思，其才华在切尔西学院中熠熠生辉，直至生命的最后一息。他将不朽的声誉留给了后世，以卓越的学术成就为基础，崇高而纯粹。他秉持高尚原则，心怀善意，举止优雅，才智出众，品味高雅；他的天赋智慧融合了这些特质，而他那活泼愉快的精神气质，则使他的一切世俗劳作变得轻松愉悦。在他短暂的一生中，通过主耶稣基督的媒介，他始终保持着毫无瑕疵的良知，贯穿于整个生命旅程，直达灵魂或天堂。
男：1814年4月12日逝世 |
||||||||||||||||||
| SACRED TO THE MEMORY OF CHARLES BURNEY MUS. D.F.R.S. WHO, FELL OF YEARS, AND FULL OF VIRTUES, THE PRIDE OF HIS FAMILY, THE DELIGHT OF SOCIETY, TE UNRIVALLED CHIEF, AND SCIENTIFICK HISTORIAN, OF HIS TENELL ART BELOVED, REVERED, RIGRETTED, BREATHED, IN CHELSEA COLLEGE, HIS LAST SIGH! LEAVING TO POSTERITY A FAME UNBLEMISHED, RAISED ON THE NOBLE BASIS OF NTELLECTUAL ATTAINMENTS. HIGH PRIXCIPLES AND PURE BENEVOLENCE, GOODNESS WITH GAIETY, TALENTS WITH TASTE, MERE OF HIS GIFTED MIND THE BLENDED ATTRIBUTES; WHILE THE GENIAL HILARITY OF HISARY SPIRITS ANIMATED, OR SOFTENED, HIS EVERY EARTHLY TOIL; AND A CONSCIENCE WITHOUT REPROACH PREPARED, IN THE WHOLE TENOUR OF HIS MORTAL LIFE, TUROUGH THE MEDIATION OF OUR LORD JESUS CHRIST, HIS SOUL OR HEAVEN. A MEN: BOR APRIL7. DIED APRIL 12"1814 | ||||||||||||||||||
|
这段内容看起来像是某位历史人物的档案或数据库记录。帮你整理成流畅的中文啦： 安葬教堂：威斯敏斯特大教堂（位于伦敦威斯敏斯特区） 职业：音乐家、学者/知识分子 性别：男 美德/品质：成就/成功*、仁慈*、无可指责*、尽责*、卓越/杰出*、信仰*、名望*、欢乐、和蔼、善良、幽默*、高贵、纯洁、受人敬仰*、科学、才华*、品味*、以及一般意义上的美德* 来世观：期盼来世* 语言：仅使用英语 逝世年份：1814年 享年：88岁（归类为：成年人） Church: Westminster Abbey (in Westminster, London). Profession: Musician, Scholar/intellectual. Sex: Male. Virtue(s): Achievement/success*, Benevolence*, Blamelessness*, Conscientiousness*, Distinction/Eminence*, Faith*, Famed*, Gaiety, Geniality, Goodness, Humour*, Nobility, Purity, Revered*, Science, Talent*, Taste*, Virtues in general*. Afterlife: Looked for*. Language: Only English. Year of death: 1814. Age at death: 88 (classed as: Adult). |
||||||||||||||||||
 |
||||||||||||||||||
| 20世纪50年代，首次完整呈现了伯尼的原文。这部恢复且未经删减的《查尔斯·伯尼博士回忆录》 | ||||||||||||||||||
| In the 1950s, the original text of Berni was presented in its entirety for the first time. This restored and unedited "Memoirs of Dr. Charles Berni" | ||||||||||||||||||
|
查尔斯·伯尼（1726–1814）是启蒙时代最重要的音乐史学家之一，曾与大卫·加里克为友，与狄德罗和卢梭通信，是海顿的推崇者，也是皇家学会的成员。他至今仍被音乐学家和历史学家频繁引用，足见其著作持续的重要性和影响力。在完成其巨著《音乐通史》（1776–1789）后，伯尼开始着手撰写一部计划中的十二卷本自传，但于1805年中止了这一工作。近十年后他去世时，其女儿、小说家范妮·伯尼整理了手稿，却在1832年出版自己删改过的《伯尼博士回忆录》之前，销毁了大部分原始内容。直到20世纪50年代，人们才重新发现了长期被认为已失传的原始回忆录残篇。本版依据伯尼第一卷的残稿进行复原，剔除了范妮·伯尼所插入和修改的内容，首次完整呈现了原文。这部恢复且未经删减的《查尔斯·伯尼博士回忆录》涵盖了作者从1726年至1769年的生平，揭示了他早年生涯以及18世纪中叶伦敦及各地的音乐与戏剧生活。编辑们巧妙地利用其他来源的材料，包括伯尼后来的书信，将零散片段连接起来。他们的注释部分取自伯尼撰写回忆录期间所写的音乐文章，揭示了他所处世界中的许多新细节。查尔斯·伯尼（1726–1814）是启蒙时代最重要的音乐史学家之一，他与大卫·加里克交好，曾与狄德罗和卢梭通信，是海顿的推崇者，同时也是皇家学会的成员。音乐学家和历史学家至今仍频繁引用他的著作，足见其作品持续的重要性和深远影响。在完成其鸿篇巨制《音乐通史》（1776–1789）之后，伯尼开始着手撰写一部计划中的十二卷本自传，但于1805年中止了这一工作。近十年后他去世时，其女儿、小说家范妮·伯尼整理了手稿，却在1832年出版自己删改过的《伯尼博士回忆录》之前，销毁了大量原始内容。直到20世纪50年代，人们才重新发现了长期被认为已失传的原始回忆录残篇。本版依据伯尼第一卷的残稿进行复原，剔除了范妮·伯尼所插入或修改的内容，首次完整呈现了原始文本。这部恢复且未经删减的《查尔斯·伯尼博士回忆录》涵盖了作者从1726年至1769年的生平，生动展现了他早年生涯以及18世纪中叶伦敦及各地的音乐与戏剧生活。编辑们巧妙地利用其他来源的材料，包括伯尼后来的书信，将零散片段连接起来。他们的注释部分取自伯尼撰写回忆录期间所写的音乐文章，揭示了他所处世界中的许多新细节。 |
||||||||||||||||||
| Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world. | ||||||||||||||||||
| 浅探奥地利国家图书馆 | ||||||||||||||||||
| A Brief Exploration of the Austrian National Library | ||||||||||||||||||
|
|
||||||||||||||||||
| 奥地利世界音乐之都维也纳。 | ||||||||||||||||||
| Vienna, the musical capital of Austria. | ||||||||||||||||||
|
|
||||||||||||||||||
| 未得原作者编者授权严禁转载www.mt77.com任何内容 | ||||||||||||||||||
|
|
|
||||||
|
copyright © 2003-2005 xilu.com all rights reserved. |
||||||
|
|
||||||
