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| 吉诺·弗朗西斯卡蒂 Zino Francescatti (1902 -1991) | |||||||||||||||||||||||
| 吉诺·弗朗西斯卡蒂 演奏贝多芬小提琴作品 指挥 JEAN FOURNET 钢琴 Robert Casadesus，Eugenio Bagnoli | |||||||||||||||||||||||
| Zino Francescatti performs Beethoven's violin works, conducted by Jean Fournet, with piano accompaniment by Robert Casadesus and Eugenio Bagnoli | |||||||||||||||||||||||
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音乐历史上的今天
1902年8月9日 ，吉诺·弗朗西斯卡蒂诞生于法国马赛。 |
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| 法国小提琴大师吉诺·弗朗西斯卡蒂( Zino Francescatti )的精美演奏形态 | |||||||||||||||||||||||
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| 吉诺·弗朗西斯卡蒂的名琴和鲜为人知的轶事 | |||||||||||||||||||||||
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吉诺·弗朗西斯卡蒂是20世纪法国小提琴学派的代表人物，被誉为继雅克·蒂博之后最杰出的法国小提琴家。他于1902年8月9日出生于法国马赛，出身音乐世家，自幼展现神童资质，5岁登台，10岁即演奏贝多芬小提琴协奏曲，其艺术生涯贯穿整个20世纪中叶，是帕格尼尼演奏技艺的正宗传人。 他的演奏风格以“优雅、精准、温暖”著称，技术无懈可击却从不炫技，音色如丝绸般柔滑，尤其擅长表现法国作品的细腻与浪漫。他使用一把1727年的斯特拉迪瓦里名琴“雄鹰”，琴音温暖优美，与他内敛而富有诗意的演绎相得益彰。与同时代大师相比，他不追求夸张的戏剧性或炫目的技巧展示，而是以“完美的小提琴家”形象赢得听众，强调音乐的内在逻辑与情感的自然流露。 他与多位作曲家关系密切，曾首演伯恩斯坦、普朗克等人的作品，并与拉威尔结下深厚友谊。他不仅是一位演奏家，也是一位作曲家，创作了数首小提琴作品。鲜为人知的是，他原名勒内-夏尔·弗朗西斯卡蒂，父亲是帕格尼尼的学生，这使他从小便浸润在意大利小提琴传统之中，却最终成为法国学派的中坚力量。 |
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| The famous musical instruments and anecdotes of Zino FrancescThe famous musical instruments and anecdotes of Zino Franceschettihetti | |||||||||||||||||||||||
| Zino Franceschetti was a representative figure of the French violin school in the 20th century and was hailed as the most outstanding French violinist after Jacques Thibaud. He was born on August 9, 1902 in Marseille, France. Coming from a musical family, he showed prodigious talent at a young age. He made his debut at the age of 5 and performed Beethoven's violin concerto at the age of 10. His artistic career spanned the entire mid-20th century and he was the direct successor of Paganini's playing skills. His playing style is known for its "elegance, precision, and warmth", with flawless technique but without showing off. His tone is as smooth as silk, and he is particularly skilled at expressing the delicacy and romance of French works. He used a Stradivarius violin "Eagle" made in 1727, and the sound was warm and beautiful, complementing his restrained and poetic interpretation. Compared with other contemporaries, he did not pursue exaggerated drama or dazzling technical displays, but instead presented himself as a "perfect violinist" to win the audience, emphasizing the internal logic of music and the natural expression of emotions. He had close relationships with many composers and premiered works by Bernstein, Poulenc, and others, and formed a deep friendship with Ravel. He was not only a performer but also a composer, creating several violin works. What is less known is that his original name was René-Chaël Franceschetti. His father was a student of Paganini, which immersed him in the Italian violin tradition from an early age, but he ultimately became a pillar of the French school. | |||||||||||||||||||||||
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| 吉诺·弗朗西斯卡蒂 Zino Francescati | |||||||||||||||||||||||
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Today in the
history of music Zino Francescati was born in Marseille, France on August 9, 1902. Zino Francescatti (August 9,1902 -- September 17, 1991) was born in Marseille, France. Francesca was born in a musical family.His father Reni was the direct descendant of Saint Paganini. Francesca showed her talent as a child prodigy.One of the top violinists of France from the 1940s to the 1960s, Francesca was an artistically charismatic and influential figure.His life in the violin playing career has won great honor, from the point of view of a perfect violinist, has always been the hearts of the masses of people in the eyes of the most worship and love one of the idols. Francesca is a master violinist with typical style and amazing skill. He is another French violinist who has made great waves in the world after Tibbo.However, this was not enough. Since his father was the student of Camillo Sivoli, Paganini's only true disciple, and Francescati's only true teacher was his father, francescati became paganini's authentic successor in the art of modern violin playing.It also gives Francesca a rich and charming touch of romance. Francesca's notes should be one of the most personal and recognizable.His pronunciation was perhaps unique, and the intuitive feeling was that it was fine and clear, like a ringing silver bell;The chords are also a bit "intense", but not as rich as the Hefferts and Ehrmans.Overtones are also very, very beautiful.The low and middle ranges have a quality as bright and clean as the high ones, while the high ones have an indescribable beauty that seems to glow.Although the "texture" is slim, the technique of the left hand and the excellent bowing of the right hand create an extremely rich level of timbre and strength.The bow is cleaner. Zino Francesca used the Eagle, a 1727 Stradivarius with a warm and beautiful sound.He also wrote several pieces of music for the violin. Beethoven and Brahms Violin Concerto by Zino Francescatti (1902-1991);2. Beethoven No. 9 Sonata for violin in A major, Op. 47 "Kreutzer";3. Beethoven Sonata no. 10 in G Major, Op. 96;4. Beethoven, Romance, Op. 40, Romance, Op. 2, 50. Bazini, Dance of the Goblins, Op. 25. |
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| 迈克尔·拉宾(Michael Rabin）作为小提琴奇才，离不开大师们的指导提携，这里的图片是吉诺·弗朗西斯卡蒂 (Zino Francescatti )指导拉宾演奏 | |||||||||||||||||||||||
| Michael Rabin, as a master of the violin, couldn't have achieved his success without the guidance and support of his mentors. The picture here shows Zino Francescatti instructing Rabin in his playing. | |||||||||||||||||||||||
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迈克尔·拉宾(Michael Rabin
1936-1972)于1936年5月2日出生在美国纽约的一个音乐家的家庭，父亲作为一名出色的小提琴家，曾是纽约交响乐团中的一位优秀乐手，母亲作为一名钢琴家和钢琴教师，也是当地的一位有影响的人物。拉宾出生在这样的家庭中，从小耳濡目染，受到了极好熏陶和教育。他聪明过人，敏捷灵巧，还是在很小的时候。就显示出了很高的音乐才华。幼年时，拉宾是跟随父亲开始学习小提琴的，当时，他所具备的天才使得他的进步速度快得惊人，为此还在相当长的一段时间中享有了神童的称号。九岁时，拉宾以异常出色的成绩考入了著名的朱利亚德音乐学院，开始成为世界著名小提琴教育家伊凡·加拉米安的学生。在名师的谆谆教导和悉心指点之下，拉宾的才华得到了进一步的展现，他进步神速，很快就成为加拉米安的得意弟子。 拉宾在社会上成名很早，1947年，当时这位还不满11岁的少年首次举行了职业性的公演，并且以极为娴熟的技艺和成熟的音乐表现力折服了听众，因此受到了当时各界人士的普遍赞扬。与此同时，音乐评论家们则以热情而又激动的态度。给予了他极高的，同时又是十分客观的评价。盛赞他是一位具有着非凡的技巧和微妙的艺术表现才能的小提琴演奏家。 |
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Michael
Rabin (May 2, 1936 – January 19, 1972) was an American
violinist. He has been described as "one of the most talented
and tragic violin virtuosi of his generation". His complete
Paganini "24 Caprices" for solo violin are available as a single
CD, and an additional six CD set contains most of his concerto
recordings. Despite his brief career—he died at 35—they remain
seminal recordings of each of the pieces. Michael Rabin was of Romanian-Jewish descent. His mother Jeanne was a Juilliard-trained pianist, and his father George was a violinist in the New York Philharmonic. He began to study the violin at the age of seven. His parents encouraged his musical development. After a lesson with Jascha Heifetz, the master advised him to study with Ivan Galamian, who said he had "no weaknesses, never." He began studies with Galamian in New York and at the Meadowmount School of Music and the Juilliard School. His Carnegie Hall debut took place in January 1950, at the age of 13, as soloist with the National Orchestral Association, playing Vieuxtemps' Concerto No. 5 under the direction of Léon Barzin. Subsequently, he appeared with a number of American orchestras before his Carnegie Hall debut on 29 November 1951, at the age of 15, in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. His 1958 recording of this concerto is considered by many to be the most impressive recording of this work, and the recording itself is notable for the full tone captured by the audio engineers. |
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| 吉诺·弗朗西斯卡蒂 (Zino Francescatti )唱片封面 | |||||||||||||||||||||||
| Zino Francescatti's Record Cover | |||||||||||||||||||||||
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| 吉诺·弗朗西斯卡蒂 (Zino Francescatti )唱片封面 | |||||||||||||||||||||||
| Zino Francescatti's Record Cover | |||||||||||||||||||||||
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| 让·富尔内（Jean Fournet，1913–2008） | |||||||||||||||||||||||
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让·富尔内是法国交响乐与歌剧曲目的热心捍卫者，出生于1913年4月14日。他与父亲一样是长笛演奏家，15岁时便在故乡鲁昂的“艺术剧院管弦乐团”担任第二长笛手，随后于1930年至1936年间进入巴黎音乐学院，师从菲利普·戈贝尔学习指挥。1936年，他在鲁昂首次登台指挥，并于1938年和1940年先后在鲁昂和马赛获得首个正式职位。1944年，他成为巴黎喜歌剧院的音乐总监，任职长达13年，直至1957年。同年，他接任巴黎国立高等音乐学院的指挥专业教学工作，并持续任教至1962年。1950年，富尔内首次在荷兰执棒，代替因病缺席的爱德华·范·贝嫩，指挥阿姆斯特丹皇家音乐厅管弦乐团演出。同年，他首次与荷兰广播爱乐乐团合作，11年后被任命为该团首席指挥，这一职位一直担任到1968年。1968年至1973年，他担任鹿特丹爱乐乐团的音乐总监。从那时起，他定期作为客座指挥重返荷兰，2000/2001乐季正值他与荷兰广播爱乐乐团合作五十周年。 他在担任法国国家管弦乐团首席指挥期间，录制了600多部作品的录音室或音乐会版本。此外，他于1973年至1982年担任新成立的法兰西岛国家管弦乐团的指挥，并于1983年至1986年执棒东京都交响乐团。 富尔内特在歌剧领域同样享有卓越的声誉，1965年至1974年间，他长期在芝加哥抒情歌剧院担任指挥。74岁时，他首次登上大都会歌剧院的舞台，指挥了圣-桑的歌剧《参孙与达利拉》。 富尔内特作为客座指挥，曾多次赴欧洲、北美、南美、以色列和日本巡演（1958年，他在东京指挥了德彪西歌剧《佩利亚斯与梅丽桑德》的首演）。他的曲目范围广泛，尤其侧重于德彪西、拉威尔、柏辽兹和勃拉姆斯的作品。他凭借严谨而一丝不苟的艺术造诣赢得了应有的声望，其指挥手势简洁优雅，富有表现力。他录制的大量法国音乐作品，因细腻含蓄的情感表达和对细节的精雕细琢而备受推崇。 |
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| 让·富尔内，收藏/档案：Anefo摄影收藏，经典唱片大庆典。1967年10月6日，让·富内指挥鹿特丹爱乐乐团，摄影师克龙，Ron/Anefo，著作权持有者：国家档案馆，访问编号查看访问 | |||||||||||||||||||||||
| Jean Fournet, Collectie/Archief: Fotocollectie Anefo, Grand Gala du Disque Klassiek . Jean Fournet , dirigent Rotterdams Philharmonisch Orkest, 6 oktober 1967, Fotograaf Kroon, Ron/Anefo, Auteursrechthebbende: Nationaal Archief, Nummer toegang bekijk toegang 2.24.01.05, Bestanddeelnummer 920-7628 | |||||||||||||||||||||||
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Jean Fournet, ardent defenser of French symphonic and operatic
repertoire, was born on 14 April 1913. Flutist, as was his
father, he was named second flute in the l'Orchestre du Théâtre
des Arts in his native city of Rouen, at the age of 15, before
entering the conducting class of Philippe Gaubert at the Paris
Conservatoire, where he studied from from 1930-36. He made his
conducting début at Rouen in 1936, and held his first
appointments there (1938) and in Marseilles (1940). In 1944 he
became director of music at the Opéra-Comique in Paris, where he
remained for 13 years until 1957. The same year he took over the
conducting class at the Ecole Normale de Musique in Paris,
continuing to teach there until 1962. Fournet first conducted in
Holland in 1950 with the Concertgebouw Orchestra filling in for
an indisposed Eduard van Beinum. That same year he first
appeared with the Netherlands Radio Philharmonic Orchestra and
was appointed their principal conductor eleven years later, a
position he held until 1968. He served as music director of the
Rotterdam Philharmonic Orchestra 1968-1973. Since that time he
regurally returned to the Netherlands as guest conductor, the
2000/2001 season being the fiftieth anniversary of his
collaboration with the Netherlands Radio Philharmonic Orchestra. He made studio or concert recordings of over 600 works during his official tenure with the NRPO. He was moreover the conductor of the newly created Orchestre National de l'Ile de France from 1973-1982 and of the Tokyo Metropolitan Symphony Orchestra from 1983-1986. Fournet enjoyed equally a distinguished career in the opera house, conducting regularly at the Chicago Lyric Opera from 1965-1974. He made his début with the Metropolitan Opera House at the age of 74, conducting Saint-Saens's Samon et Dalila. Fournet toured as a guest conductor in Europe, North and South America, Israel and Japan (he conducted the premiere performance in Tokyo of Debussy's Pelleas et Mélisande in 1958). His wide repertory laid particular emphasis on the works of Debussy, Ravel, Berlioz and Brahms. He owed his well-deserved reputation to his meticulous and exacting craftsmanship, which he exerted by means of sober and elegant gestures. His many recordings of French music are admired for their restrained sensitivity and their scrupulous attention to detail. |
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| 让·富尔内指挥东京都交响乐团演出的唱片封面 | |||||||||||||||||||||||
| The cover of the record featuring the performance conducted by Jean Fulne with the Tokyo Metropolitan Symphony Orchestra | |||||||||||||||||||||||
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| 弗朗西斯卡蒂的合作伙伴，钢琴家罗伯特.卡萨德修（Robert Casadesus） | |||||||||||||||||||||||
| Francescatti's partner, the pianist Robert Casadesus | |||||||||||||||||||||||
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罗伯特.卡萨德修（Robert
Casadesus）1899年出生于法国巴黎，1972年在巴黎逝世。卡萨德修十岁开始跟随姑姑罗丝.卡萨德修(Rose
Casadesus)
学习钢琴，后来在巴黎音乐院跟随李斯特的学生杰梅学习，十四岁得到钢琴第一奖，1917年首次登台演出，1921年与钢琴家嘉比里拉
(嘉比)结婚。由于和拉威尔的私人交情，卡萨德修第一场独奏会和曲目全部演奏拉威尔的作品，1927年与妻子开始合作一系列曲目以双钢琴或四手联弹为主的二重奏独奏会。卡萨德修于1935年在托斯卡尼尼Arturo
Toscanini)的指挥下首度在美国登台演出，1940年移居美国并第一次在卡内基音乐厅露面。卡萨德修在1946年回到欧洲并且担任法国封腾布洛美洲音乐院校长。卡萨德修为数不少的唱片中包括拉威尔作品全集，他的音乐以优异的控制技巧及丰富的音色闻名，除此之外，他也是一位著名的教师与作曲家。 罗伯特.卡萨德修被誉为最后的十九世纪伟大钢琴家。他于1899年4月7日出生于一个已经传承好几代的音乐家庭，祖父路易.卡萨德修(Luis Casadesus)共有九个孩子，其中有八个成为音乐家，路易本身则是个吉他演奏家。罗伯特的叔伯弗朗西斯.卡萨德修(Francis Casadesus)曾经跟随法朗克(C.Franck)学习，是一位人人敬重的指挥家与歌剧作曲家，并于法国封腾巾洛创立美洲音乐学院，后来罗伯特也进入这个学校教书；另一个叔伯是在著名的卡培特弦乐四重奏(Capet Quartet)担任中提琴手的亨利.卡萨德修(Henri Casadesus)。其它出身自这个世代的家族成员还有大提琴家马塞尔(Marcel)、小提琴家莫利斯(Marius)与罗伯特的姑姑罗丝.卡萨德修，罗伯特就是由她启蒙学习钢琴。讽刺的是，罗伯特的父亲是少数几位没有学习音乐的兄弟姐妹之一，他是一位著名的舞台剧演员，艺名是『罗伯特.卡萨』 (Robert Casa)。家族的音乐传统也在罗伯特的孩子中传续，其中最有天赋的就是钢琴家让?卡萨德修(Jean Casadesus)，但是他的音乐生涯在1972年因车祸而悲剧性地结束。 |
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| 罗伯特.卡萨德修（Robert Casadesus）与弗朗西斯卡蒂在研究乐谱 | |||||||||||||||||||||||
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Robert
Casadesus was born in Paris in 1899 and died in Paris in 1972.At
the age of ten, Casadesus began to learn piano from his aunt
Rose Casadesus. Later, he studied with Germe, liszt's student at
the Conservatory of Music in Paris. At the age of fourteen, he
won the first prize in piano.As a result of his personal
friendship with Ravel, Casadeo played all of Ravel's works in
his first recital and repertoire, and in 1927 he and his wife
began a series of duet recitals featuring two pianos or four
hands.Casadesio made his American debut in 1935 under the
command of Arturo Toscanini, and moved to the United States in
1940 where he made his first appearance at Carnegie
Hall.Casadecchio returned to Europe in 1946 and became principal
of the Conservatory in Fontenblomey, France.Casadeso's numerous
recordings include the complete works of Ravel. His music is
known for its excellent control techniques and rich timbre. He
was also a famous teacher and composer. Robert Casadecchio is regarded as the last great pianist of the nineteenth century.He was born on April 7, 1899, into a musical family that had spanned several generations. Eight of his nine children were born to grandfather Luis Casadesus, a guitarist himself.His uncle, Francis Casadesus, studied under C. Francesco, a respected conductor and composer of operas, and founded the Academy of American Music at Fontencours, France, where Robert later taught;Another uncle was Henri Casadesus, the viola player of the famous Capet Quartet.Other family members from this generation included Marcel the cellist, Marius the violinist, and Rose Casadecchio, Robert's aunt, who taught him to play the piano.Ironically, Robert's father, a famous stage actor known by his stage name, Robert Casa, was one of the few brothers and sisters who didn't study music.The family musical tradition continues among Robert's children, the most talented of whom is the pianist Jean DE Valles.But his music career ended tragically in a car accident in 1972. |
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| 罗伯特.卡萨德修（Robert Casadesus）和夫人在一起 | |||||||||||||||||||||||
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| 贝多芬A大调第九小提琴奏鸣曲，作品47“克鲁采” | |||||||||||||||||||||||
| 贝多芬 A大调第九小提琴奏鸣曲，作品47“克鲁采” 齐诺·弗朗西斯卡蒂,小提琴 罗伯特•卡萨德修 钢琴 1970年10月28日在巴黎ORTF拍摄 |
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Ludwig van Beethoven - Violin Sonata No. 9 in A major, Op. 47 'Kreutzer' Zino Francescatti, violin Robert Casadesus, piano Filmed at the ORTF, Paris, 28 October 1970 |
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| 贝多芬G大调第十小提琴奏鸣曲，作品96 | |||||||||||||||||||||||
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贝多芬 ——G大调第十小提琴奏鸣曲，作品96 齐诺·弗朗西斯卡蒂,小提琴 罗伯特•卡萨德修 钢琴 1970年12月2日在巴黎ORTF拍摄 |
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Ludwig van Beethoven - Violin Sonata No. 10 in G major, Op. 96 Zino Francescatti, violin Robert Casadesus, piano Filmed at the ORTF, Paris, 2 December 1970 |
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| 贝多芬《浪漫曲》 作品40、浪漫第2号作品50、巴兹尼《妖精之舞》Op. 25 | |||||||||||||||||||||||
| Heifetz Plays Brahms: Scherzo from FAE Sonata | |||||||||||||||||||||||
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贝多芬 G大调小提琴和管弦乐队的浪漫第1号，作品40 F大调为小提琴和管弦乐队而作的浪漫第2号，作品50 古斯塔夫·萨马祖伊 - Lamento, Moto perpetuo 安东尼奥·巴兹尼 ——《《妖精之舞》》，Op. 25 齐诺·弗朗西斯卡蒂,小提琴 尤金尼奥·巴格诺利,钢琴 1961年6月25日在波尔多拍摄 |
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