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| 雅克·费雷尔·马扎斯（Jacques Fereol Mazas1782~1849)） | ||||||||||||||||||||||||
【林耀基教授讲解马扎斯30课｜ VCD】刘扬演示 |
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音乐历史上的今天
1849年8月26日,法国小提琴家、作曲家：马扎斯( Mazas，Jacques
Fereol)逝世于波尔多。小提琴大师为后人留下了丰厚的精神遗产和不朽的练习曲。 教学方面的贡献
或许马扎斯留下的最持久的遗产在于他对小提琴教学法的贡献。从 1837 年到 1841
年，他担任了坎布雷音乐学院的院长一职，在此期间他有机会培养出新一代的小提琴演奏家。正是在这段时期以及之后的几年里，马萨斯创作出了他最重要的教学著作。 |
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| 雅克·费雷尔·马萨斯（Jacques Fereol Mazas1） | ||||||||||||||||||||||||
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青年时从著名小提琴家巴爱洛特（Baillot）学琴，以后毕业于巴黎音乐院提琴班。作有许多小提琴乐曲与练习曲，在法国享有巨大声誉。作品中以《75课旋律练习曲和深造练习曲》作品第36号最为著名，根据程度的不同，该书又分为三集：第一集《特殊练习曲》1－30课，一般与《小顿特》同时进行练习；第二集《华丽练习曲》31－57课，一般与《克莱采尔练习曲》同时进行练习，第三集《为艺术家作的练习曲》58－72课，可与《帕格尼尼24首随想曲”同时进行练习。马扎斯练习曲的特点是：左手技术、右手弓法的严格训练，与优美的音乐感受和歌唱性旋律的演奏方法，相互结合进行，它是每一个优秀管弦乐队的小提琴演奏者必须学习和研究的优秀教材。 法国小提琴家、作曲家和教育家雅克·马扎斯于1849年的这一天去世。马扎斯是皮埃尔·拜略特的学生，因他的技术建设研究、练习曲和二重奏而被历史所铭记。 French violinist, composer and pedagogue Jacques Mazas died on this day in 1849. A student of Pierre Baillot, Mazas is remembered in history for his technique-building studies, etudes and duets. 马扎斯小提琴特殊练习曲，能使我们学生最枯燥的练习变得轻松愉快起来，孩子在学习练习曲的过程中也能感受到音乐乐趣。循序渐进地建立良好的音准概念和规范的演奏习惯。让教师和家长从繁琐冗长的陪练中解脱出来。 马扎斯法国小提琴家、教育家、作曲家。1802年入巴黎音乐学院学习，后赴欧洲各国旅行演出。1829年返回巴黎后，在几所音乐学院任教。马托斯创作过许多小乐曲，练习曲，其中《马扎斯小提琴练习曲》作品36号（共分三集：第一集《特殊练习曲》，第二集《华丽练习曲》，第三集《为艺术家创作的练习曲》）是马扎斯最优秀的作品之一。它摈弃了练习曲教材枯燥乏味的机械式练习，巧妙地将各种类型的技巧融合在优美的旋律之中。尤其是《特殊练习曲》和《华丽练习曲》是专为中级程度学生创作的练习曲，特别有利于改善学生的发音和提高学生演演奏优美旋律的能力。 |
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| 雅克·费雷尔·马萨斯（Jacques Fereol Mazas1)小提琴特殊练习 | ||||||||||||||||||||||||
| 马扎斯的故事 | ||||||||||||||||||||||||
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提到雅克·费雷尔·马萨斯（Jacques
Fereol
Mazas），许多小提琴学习者首先想到的是他那套经典的《75课旋律练习曲和深造练习曲》。然而，除了作为“法比小提琴学派”杰出教育家的身份，他的人生轨迹与艺术成就中，还隐藏着一些鲜为人知的精彩故事： 1. 从神童到“皇家独奏家”的闪耀履历 马萨斯出生于法国拉沃尔（Lavaur），自幼便展现出惊人的音乐天赋。1802年，他进入巴黎音乐学院，师从著名小提琴家皮埃尔·巴爱洛特（Pierre Baillot）。仅仅三年后的1805年，他就斩获了小提琴演奏一等奖。1808年，著名作曲家奥贝（Auber）专门为他创作了一首小提琴协奏曲并由他首演，这在当时是极高的荣誉。此后，他不仅在欧洲各国巡回演出，还在1831年短暂担任过巴黎的“皇家独奏小提琴家”（Royal Solo Violinist）。 2. 跨界歌剧创作的“隐藏技能” 虽然以小提琴闻名，但马萨斯在作曲领域的涉猎远比人们想象的广泛。他不仅创作了大量弦乐作品，还是一位歌剧作曲家。他曾创作过喜歌剧《穆斯塔法》（Mustapha）以及另一部在巴黎喜歌剧院（Opéra-Comique）成功上演八场的歌剧《Le Kiosk》（或译作《Coxinne au Capitole》），展现了他非凡的旋律创作才华。 3. 帕格尼尼《24首随想曲》的“黄金垫脚石” 在小提琴教学史上，马萨斯的《75课练习曲》第三集《为艺术家作的练习曲》（Études d'artistes）具有极其特殊的战略地位。这套教材被公认为是学习尼科罗·帕格尼尼（Paganini）那套极具挑战性的《24首随想曲》的完美前置准备。他将枯燥的左手技术与右手弓法训练，巧妙地融入到充满法国浪漫主义风格的优美旋律中，让学生在练习高难度技巧的同时，依然能保持对音乐歌唱性的感受。 4. 晚年深耕地方音乐教育 在结束了辉煌的欧洲巡演后，马萨斯并没有一直留在巴黎的聚光灯下，而是选择投身于地方音乐教育事业。他曾先后担任奥尔良（Orléans）喜歌剧院的指挥，以及康布雷（Cambrai）音乐学院的院长。他将毕生精力投入到培养年轻一代弦乐演奏者中，创作了大量适合不同水平学生的二重奏和练习曲。 1849年8月26日，这位集演奏家、作曲家与教育家于一身的音乐巨匠在波尔多（Bordeaux）逝世，享年67岁。尽管他身后的名气或许不如帕格尼尼那般如雷贯耳，但他留下的教材至今仍是全球无数小提琴手攀登艺术高峰的必经之路。 |
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| 雅克·费雷尔·马萨斯（Jacques Fereol Mazas1)小提琴特殊练习，1977年10月人民音乐出版社中文版封面 | ||||||||||||||||||||||||
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《马扎斯小提琴特殊练习曲》是
《马扎斯小提琴特殊练习曲30首》是由法国小提琴家、教育家雅克·费雷奥尔·马扎斯创作的教材，2018年由梁诉整理后由湖北教育出版社出版。该作品具有法国浪漫主义时期的音乐风格特征。
[1-2] 全书包含30首特殊练习曲，涵盖多种技术类型与节奏练习内容。教材强调左手技术与音乐表现力的结合，部分版本配有示范演奏CD，由小提琴教育家储韵录制，包含30首练习曲的曲目演示。该书从问世之初就深受广大教师和学生的喜爱，在小提琴教材体系中占有十分重要的地位。 |
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Today in the history of music French violinist and composer Mazas (Jacques Fereol) died in Bordeaux on 26 August 1849. 【 Mazas 】Jacques Fereol Mazas(1782~1849), French violinist and educator. He learned the violin as a young man from the famous violinist Baillot and later graduated from the Violin class at the Conservatory in Paris.It has many violin pieces and etudes and enjoys a great reputation in France.Among the works, no. 36 of The Melodic Etude of Lesson 75 and Advanced Etude is the most famous. According to the degree, the book is divided into three sets: the first set, Special Etude 1-30, is generally practiced at the same time as Little Dente.Second lesson 31-57 magnificent etude, generally with the clay that atzel etude practice at the same time, the third set "for the artist etudes" lesson 58-72, with "paganini 24 caprices" practice at the same time. Lift of etude features are: left hand, right hand bowing strict training, with beautiful music feeling and GeChangXing melody playing method, combined with each other, it is every good orchestra violinist must study and research of excellent teaching material. French violinist, composer and educator Jacques Massas died on this day in 1849.Mazzas, a student of Pierre Bellot, is remembered in history for his technical construction studies, etudes and duets. French violinist, composer and pedagogue Jacques Mazas died on this day in 1849. A student of Pierre Baillot, Mazas is remembered in history for his technique-building studies, etudes and duets. Maaz Violin Etude is a book published by Changjiang Literature and Art Publishing House in 2003. The author is Zhao Shuusheng.Since its publication, the book has been deeply loved by teachers and students, and occupies a very important position in the violin teaching system. Maaz special etude for violin can make the most boring exercise for students become relaxed and happy, and children can also feel the fun of music in the process of learning the etude.Step by step to establish a good concept of intonation and standard playing habits.Free teachers and parents from the tedious and tedious practice.French violinist, educator, composer.In 1802, he went to Paris Conservatory of Music to study, and then went to various European countries to perform.After returning to Paris in 1829, he taught at several conservatoire.Matos composed many small pieces of music and etudes, among which, op. 36 of The Violin Etudes of Mazzas (divided into three sets: the first set of special etudes, the second set of Magnificent etudes, and the third set of Etudes for artists) is one of the best works of Mazzas.Instead of the boring mechanical practice of the etude textbook, it skillfully fuses various types of techniques in the beautiful melody.In particular, the Special etude and the Magnificent Etude are specially created for intermediate level students, which are especially helpful to improve students' pronunciation and enhance their ability to perform and play beautiful melodies. Video of the day: Lim Yao-ki explains the first special etude of Mazzas. |
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| 雅克·费雷尔·马萨斯（Jacques Fereol Mazas1)小提琴特殊练习 | ||||||||||||||||||||||||
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| 马扎斯，雅克·费雷奥尔——《十二首小二重奏》，作品38，第二册——两把小提琴——亨利·施拉迪克编——G·希默版 | ||||||||||||||||||||||||
| Mazas, Jacques Féréol – 12 Little Duets, Op 38, Book 2 – Two Violins – edited by Henry Schradieck – G Schirmer Edition | ||||||||||||||||||||||||
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马扎斯-约瑟夫·米卡特殊练习
《马扎斯二重奏》，雅克·费雷奥尔·马萨斯：作品36/1号特殊练习曲，第二小提琴部分由约瑟夫·米卡作曲 Jacques Féreol Mazas: Etudes speciales op.36/ 1 with the second violin part composed by Josef Micka |
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法国作曲家、小提琴演奏家雅克·费雷奥·马扎斯（1782年，拉沃尔—1849年，贝济耶）曾师从巴黎音乐学院著名教师巴约教授学习小提琴。23岁时，马扎斯在该校获得了最高荣誉——“一等奖”。不久之后，他在巴黎奥德翁剧院上演维奥蒂的小提琴协奏曲时大获成功。面对座无虚席的观众，这位年轻的演奏家多次演奏了由其同时代重要作曲家丹尼尔·埃斯普里·奥贝尔专为他创作的另一首小提琴协奏曲。 马扎斯几乎在欧洲各地成功举办了音乐会，在西班牙、英国、荷兰和比利时赢得了观众的喜爱；数年后，他在意大利、德国和俄罗斯的巡演中也收获了热烈的掌声。 在他的所有作品中，尤其是《小提琴家之校》、《小提琴协奏曲》、《二重奏》、《幻想曲》以及喜剧歌剧《亭子》，其中最为广受欢迎的教学用途的是他的《练习曲第36号/1》。 20世纪下半叶，布拉格音乐学院教授、捷克著名小提琴导师约瑟夫·米卡博士（1903–1993）为马扎斯的《练习曲》创作了第二小提琴部分。这一版本的练习曲从未出版，第二部分的亲笔签名留存在米卡的遗产中。 2007年，他的孙子、小提琴家MgA. 安德烈·莱布（ONDREJ LEBR）决定遵照米卡的遗愿，以自己的修订版准备出版这些练习曲。 在教学层面，马扎斯的《练习曲》附带创作的第二小提琴声部，能够与学生建立深入的艺术和个性化的联系，为学生提供充分发展的机会，使其积极掌握乐句风格、速度选择、和声以及音符强调等技巧。 因此，导师便成为学生的高级同事与伙伴。 至于演奏会方面，这些练习曲因其技术与表现上的广泛复杂性，属于罕见而一致的作品，适合各类小提琴演奏者。由于其无可争议的音乐品质，这部两部分的马扎斯《练习曲》不仅带来了纯粹的室内乐创作乐趣，也完全适用于音乐会演奏。 约瑟夫·米卡（1903–1993）是捷克小提琴教育领域杰出人物之一。 中学毕业后，他进入布拉格音乐学院，在金德里希·巴斯塔教授的指导下继续学习音乐。他是一位出色的独奏家，但从一开始便也大量投身于室内乐领域。20世纪20年代，他与同学们共同创立了一个非常成功的四重奏乐团。在完成布拉格音乐学院学业后，约瑟夫·米卡获得了捷克政府的奖学金，得以在巴黎音乐学院师从雅克·蒂博教授，继续深造一年。这段经历同样对米卡的教学工作产生了深远影响，逐渐成为他工作的主要方向。尽管在第二次世界大战前，他频繁从事教学和音乐会活动，但他仍成功完成了在查理大学的音乐学与心理学专业学习。 1939年，米卡成为布拉格音乐学院教授，并一直担任该学院成员至1945年。1946年，他开始在布拉格音乐学院任教；然而两年后，因对当时政治体制持批判态度而被开除。尽管他努力恢复教学工作，并且得到了一些学院教授的积极评价，但即便在1969年之后，他也未能获准重返岗位。 约瑟夫·米卡培养了多位独奏家和室内乐演奏家。他最成功的三支合奏团不仅在国内广为人知，在国际上也享有盛誉——分别是斯梅塔那、塔利奇和帕诺查四重奏。 约瑟夫·米卡还撰写了大量关于小提琴演奏的书籍和文章，其中最著名且最具影响力的两部作品是《小提琴演奏》和《初学者小提琴演奏教程》，后者由他与女儿玛格达莱娜·米科娃共同编写。 |
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French
composer and violin virtuoso JAQUES FEREOL MAZAS (1782 Lavour –
1849 Beziers) was a VIOLIN STUDENT of professor BAILLOT, a
renowed pedagogue at the PARIS CONSERVATOIRE, where at the age
of 23, MAZAS obtained the highest award at this prominent school
– PREMIER PRIX. Shortly after, he enjoyed enormous success at
the performance of VIOTTI’S VIOLIN CONCERTOS in ODEON, Paris. In
front of sell-out halls, the young virtuoso repeatedly performed
another VIOLIN CONCERTO, composed specially for him by his
significant contemporary DANIEL ESPRIT AUBER. MAZAS successfully gave concerts in virtually all Europe, he charmed audiences in Spain, England, Holland and Belgium; several years later, he received a warm applause at his concert tour in Italy, Germany and Russia. From all his compositions ( L’ECOLE DU VIOLINISTE, VIOLIN CONCERTO, DUETS, FANTASIES, COMIC OPERA KIOSK) it is especially his ETUDES OP.36/1, which have remained for its most popular didactic purpose. In the second half of the 20th century, professor at PRAGUE CONSERVATOIRE and a prominent CZECH VIOLIN TUTOR PhDR. JOSEF MICKA (1903 – 1993) composed the second violin part for MAZAS’ ETUDES. This version of the etudes was never published. Autograph of the second part remained in Micka’s inheritance. In 2007, his grandson, the VIOLINIST MgA. ONDREJ LEBR decided to fulfill Micka’s intention and prepare the etudes for publishing in his own revision. On the PEDAGOGICAL level, MAZAS’ ETUDES with the composed second violin part enable an intense artistic and personal contact with the student and provide the opportunity to develop and participate actively in the style of phrasing, the choice of tempo, harmony and agogics. The tutor thus becomes the student’s senior colleague and partner. As regards CONCERTS, the etudes represent a rarely consistent work, which is, owing to the wide scale of technical and expression complexity, destined for a broad range of VIOLINISTS. Due to its indisputable musical quality, this two-part version of MAZAS’ ETUDES provides not only a pure joy of CHAMBER MUSIC making, but is also perfectly suitable for CONCERT use. |
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| 雅克·费雷奥·马萨斯：练习曲。 36/1 第二小提琴部分由约瑟夫·米卡演奏 | ||||||||||||||||||||||||
| Jacques Féreol Mazas: Etudes speciales op.36/ 1 with the second violin part composed by Josef Micka | ||||||||||||||||||||||||
| 雅克·费雷尔·马扎斯创作的四重奏 作品第7号 | ||||||||||||||||||||||||
String Quartets, Op.7 by Mazas, Jacques Féréol |
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| 伟大的小提琴教育家林耀基（1937年—2009） | ||||||||||||||||||||||||
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林耀基（1937年—2009），男，广州台山县人，中央音乐学院著名小提琴教授、享誉世界的杰出音乐教育家、中国人民政协八、九、十届全国委员。1954年至1960年在中央音乐学院随马思聪学习小提琴。1960年毕业于中央音乐学院，后赴前苏联莫斯科柴科夫斯基音乐学院深造，师从小提琴家杨柯列维奇（Yankelevich），专攻小提琴演奏与教学法。2009年3月16日凌晨，因病突发抢救无效，在北京家中逝世，享年72岁。 林耀基是我国著名的小提琴演奏家和音乐教育家,是当代小提琴教育界的杰出代表人物，受到国内同行和国际音乐界的高度评价，被西方誉为“伟大的小提琴教育家”。 生于1937年，卒于2009年3月16日。广东省台山市人。1954年至1960年在中央音乐学院随马思聪学习小提琴。1960年毕业于中央音乐学院,后赴前苏联莫斯科柴科夫斯基音乐学院深造，师从小提琴家杨柯列维奇（Yankelevich），专攻小提琴演奏与教学法，Yankelevich曾预言，林耀基将会为中国的小提琴教育事业做出巨大贡献。1963年回国后一直在中央音乐学院任教。多年来林耀基先生潜心教学，重视学生的音乐素养和艺术水平，经常为艺术团体，院校作有关小提琴演奏与教学的学术报告。他的学生遍布全球各洲。自1980年起，他的学生开始在各大国际小提琴比赛中脱颖而出 。如：第四届芬兰"西贝柳斯国际小提琴比赛"第五名及比利时"伊丽莎白王后国际小提琴比赛"第四名的胡坤，第二届日本国际音乐比赛第三名的薛伟、美国曼纳格国际弦乐比赛首奖获得者徐维聆等。 刚刚12岁，拉的曲目是圣·桑的《引子与随想回旋曲》和萨拉萨蒂的《流浪者之歌》， 其声音柔美自然，热情奔放，透出音乐的成熟。其著名的学生还有刘扬、郭昶、柴亮、李传韵、贾宏光、陈允、张堤、谢楠、陈音来、顾文蕾、陈曦、杨晓宇等等。林耀基先生除了潜心教学外，还多次当过十多个国际小提琴比赛的评委 。美国迪雷教授观摩林耀基的大师课后，对他的授课赞誉很高。 是的，林耀基不愧为音乐领域的采矿大师和冠军教授。 |
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| 林耀基在指导胡坤。胡坤现在是英国皇家音乐学院教授 | ||||||||||||||||||||||||
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Lin Yao-ji (1937 -- 2009),
male, taishan county, Guangzhou, famous violin professor of Central
Conservatory of Music, world-renowned outstanding music educator,
national member of the 8th, 9th and 10th CPPCC.From 1954 to 1960, he
studied violin with Ma Sicong at the Central Conservatory of Music.He
graduated from the Central Conservatory of Music in 1960 and went to the
Tchaikovsky Conservatory in Moscow, The Former Soviet Union, where he
studied violin playing and teaching by violinist Yankelevich.On the
early morning of March 16, 2009, he died at his home in Beijing at the
age of 72. Lin Yao-ji is a famous violinist and music educator in China. He is an outstanding representative of contemporary violin education, highly appraised by his peers in China and the international music industry. He is also known as the "great violin educator" in the West.Born 1937 and died March 16, 2009.Taishan city, Guangdong Province.From 1954 to 1960, he studied violin with Ma Sicong at the Central Conservatory of Music.After graduating from the Central Conservatory of Music in 1960, Lin went to the Tchaikovsky Conservatory in Moscow, the Former Soviet Union, where he studied violin performance and pedagogy under violinist Yankelevich. Yankelevich predicted that Lin would make a great contribution to violin education in China.He has been teaching in the Central Conservatory of Music since he returned to China in 1963.Over the years, Mr. Lin yao-ki has devoted himself to teaching and attached great importance to students' musical quality and artistic level. He often gives academic reports on violin playing and teaching for art groups and colleges.He has students from all over the world.Since 1980, his students have been competing in major international violin competitions.For example, Hu Kun who won the fifth place in the 4th Finland Sibelus International Violin Competition, Belgium Queen Elizabeth International Violin Competition, Xue Wei who won the third place in the 2nd Japan International Music Competition, and Xu Wei Ling who won the first prize in the Manag International String Music Competition in the United States, etc.At the age of 12, Ra's repertoire includes Saint Sang's "Introduction and The Rondo of Random thoughts" and Salasati's "Song of the Wanderer," with a soft, natural, passionate voice that exudes musical maturity.Its famous students are Liu Yang, Guo Chang, Chai Liang, Li Chuanyun, Jia Hongguang, Chen Yun, Zhang Di, Xie Nan, Chen Yinlai, Gu Wenlei, Chen Xi, Yang Xiaoyu and so on.In addition to his dedicated teaching, Mr. Lam has also been a judge for more than ten international violin competitions.American professor D 'Leh watched Lin Yaoji's master class and spoke highly of his teaching.Yes, Lam yao-ki is a mining master and a champion professor of music. |
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| 田元在中央音乐学院接受林耀基教授的指导 （20080911） | ||||||||||||||||||||||||
| 田元八岁时接受林耀基教授的指导， 而后的中央音乐学院附小、附中、高中九年里，一直在林耀基先生助教汤伟剑教授的指导下学琴练琴，在林耀基先生的教学理念的影响下十几年来一直辛勤的耕耘在小提琴独奏、室内乐、交响乐的领域，林老师的教学方法使田元受益匪浅 ，可谓是林耀基教学法最全面的传承人之一。 特别是林耀基先生的空中键盘理论对田元的左手的规范、和林耀基的平面理论对田元和右手的框架的形成，以及林老师的诸多演奏哲学美学理念，对田元潜移默化的影响都不可小觑，而且其影响还在继续。田元九岁考入中央音乐学院附小，10岁在家乡哈尔滨音乐厅举办独奏音乐会，之后在 中央音乐学院的比赛和国际比赛多次获奖。并受到盛中国老师的赏识和推荐， 以全额奖学金考入美国费城天普大学师从世界著名小提琴大师爱德华·施密德教授学士、硕士毕业后，现继续攻读小提琴演奏博士。 | ||||||||||||||||||||||||
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| 田元小提琴独奏音乐会节目单封面 | ||||||||||||||||||||||||
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| 田元小提琴独奏音乐会节目单 内容 | ||||||||||||||||||||||||
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| 2026美国洛杉矶埃帕皮蒂音乐节期间和导师爱德华·施密德先生 | ||||||||||||||||||||||||
| At the age of eight, Yuan began studying under Professor Lin Yaoji. For the following nine years at the Central Conservatory of Music's affiliated elementary, middle, and high schools, she continued her violin training under Professor Tang Weijian, who served as assistant to Professor Lin. Influenced by Professor Lin's teaching philosophy, Yuan has diligently pursued excellence in solo violin performance, chamber music, and orchestral playing for over a decade. Her profound development is largely attributed to Professor Lin's teaching methods, making her one of the most comprehensive inheritors of Lin Yaoji's pedagogical approach. In particular, Lin's "air keyboard" theory significantly shaped Yuan's left-hand technique, while his "plane theory" helped establish the foundation of her right-hand framework. Moreover, the many philosophical and aesthetic principles imparted by Professor Lin have had a profound and lasting impact on Yuan, continuing to influence her artistic growth. At nine, Yuan was admitted to the Central Conservatory of Music's affiliated elementary school; at ten, she gave a solo recital at the Harbin Concert Hall in her hometown. She subsequently won numerous awards in competitions at the Central Conservatory and internationally. Recognized and recommended by Professor Sheng Zhongguo, she earned a full scholarship to study at Temple University in Philadelphia, USA, where she studied under the world-renowned violin master Edward Schmid. After completing her bachelor's and master's degrees, she is currently pursuing a Ph.D. in violin performance. | ||||||||||||||||||||||||
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| 2018年田元随NYO交响乐团首次登上美国纽约卡内基音乐厅 | ||||||||||||||||||||||||
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| 2019年随NYO交响乐团欧洲巡演期间，NYO交响乐团在柏林爱乐音乐厅门前快闪活动中，田元代表NYO,演奏了小提琴大师内森·米尔斯坦（Nathan Milstein） 创作的《帕格尼尼偶记》。 | ||||||||||||||||||||||||
| In 2019, during the European tour with the NYO Symphony Orchestra, I represented NYO in a flash mob performance at the entrance of the Berlin Philharmonic Hall, playing "Paganini's Notes," composed by Milstein. | ||||||||||||||||||||||||
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| 2017年9月田元随NYO交响乐团世界巡演的照片登上了中国顶级音乐杂志《音乐爱好者》的封面 | ||||||||||||||||||||||||
| In September 2017, Tian Yuan's photo from the NYO Symphony Orchestra's world tour appeared on the cover of China's top music magazine, "Music Enthusiast." | ||||||||||||||||||||||||
田元—柴可夫斯基小提琴协奏曲 汤沐海 哈尔滨交响乐团 |
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Petor Ilyich Tchaikovsky: Violin
Concerto in D major, Op.35
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