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                      莫扎特之旅-文化交流-音乐历史上的今天                    
                     
 
 
                   
                     

                   
                     
 
 

 
 

                                     田润德   编译文/图 2020-06-03 19:36

 
 
 
 
 

 
 
 
 
 

 
 
 
 
 
 
  约翰·施特劳斯(Johann Strauss , 1825-1899)      
         
  乔治·普雷特指挥2010年维也纳新年音乐会《蝙蝠序曲》      
 

【Vienna New Years Concert 2010】蝙蝠序曲

     
  蝙蝠序曲(外文名:Die Fledermaus Overture)是奥地利作曲家小约翰·施特劳斯用其所作轻歌剧《蝙蝠》中动听的旋律缀合而成的,也是整部歌剧最著名的一首乐曲。该曲经常作为音乐会的演出曲目之一,可以调动听众热情。      
  The bat Overture (Die Fledermaus Overture) is the most famous piece of the operetta composed by The Austrian composer Johann Strauss The younger by combining the beautiful melodies of the bat.This song is often included in the concert repertoire and can arouse the audience's enthusiasm.      
 
     
  音乐历史上的今天

1899年6月3日,下午4点15分,73岁的小约翰·施特劳斯在维也纳停止了心跳。
约翰·施特劳斯(
Johann Strauss ),奥地利作曲家、小提琴家、指挥家,1825年10月25日出生在维也纳一个音乐之家。父亲老约翰·施特劳斯是维也纳舞蹈音乐作曲家之一,他自己组织乐队,在国内外宫廷舞会、公园演奏,颇负盛名。他的夫人生了6个子女,其中包括1825年出生的小施特劳斯,另与情妇生育了5个孩子。他在自己真正的家庭上几乎分文未花,而把钱都花在情妇身上。他强烈反对11个孩子中的任何一个从事音乐训练,并且他最终抛弃了第一个家庭而选择了第二个家庭。
在他人的帮助下,小施特劳斯设法偷偷去听课,过了一段时间,他的音乐素养远远超出于父亲之上。老约翰原想培养自己的儿子当银行职员,;但小约翰却违背了父亲的意愿,跟父亲的乐队队长学小提琴,又跟一位捷克作曲家学作曲,立志像他父亲那样以音乐为职业。
约翰·施特劳斯的一生完全在创作和演出中度过,他的指挥和演奏,能使听众为之心旷神怡,他的作品赢得了许多作曲家如柏辽兹、李斯特、勃拉姆斯、封·彪罗和瓦格纳的高度评价。1899年6月3日,约翰·施特劳斯因患肺炎在维也纳逝世,享年74岁。他的葬礼极为盛大,10万名维也纳市民自发地加入了送葬的行列。他的遗体被安置在中央公墓,位于勃拉姆斯墓酌旁边,舒伯特墓的对面。出于敬仰,人们在他的墓前建造了庞大的雕像。
1844年,19岁的约翰·施特劳斯已经带着一支由15个人组成的乐队,当众表演他自己的作品,同他父亲的乐队分庭抗礼了。1849年,老约翰去世后,小约翰便负责领导他父亲的乐队,自此,他不断地创作乐曲,拉小提琴并指挥自己的乐队,接受国内外无数次的定期邀聘到处巡回演出。1855年至1872年间,约翰·施特劳斯曾多次定期带领乐队到俄罗斯举行夏季音乐会演出。1867年,巴黎举办万国博览会时,他曾受到当时在巴黎的一些著名文学艺术家,包括福楼拜、戈蒂叶、小仲马和屠格涅夫等人的欢迎。但是他演出活动的最高潮,却是1872年到美国的访问,据说他在波士顿指挥14场音乐会演出,音乐会在特地建造的大厦举行,可以容纳10万名听众,而演奏者竟有2万人之多,为此,安排了100名指挥给他当助手,可谓盛况空前。
约翰·施特劳斯的作品总共有500首左右,主要是一些生活舞蹈性,音乐,包括圆舞曲、波尔卡舞曲、进行曲以及一些轻歌剧等。他创作的核心是圆舞曲,被誉为“‘圆舞曲之王”。施特劳斯的优秀圆舞曲以民间舞曲的节奏和其他表现手法为依据,具有深刻的民间色彩,它的形象鲜明朴实、旋律丰富,音乐语言真挚而自然,所有这些特点使他的作品得以在最广泛的听众中普遍流传。他具有代表性的圆舞曲,包括《蓝色多瑙河》、《艺术家的生涯》、《维也纳森林的故事》、《醇酒、女人与歌》、《春之声》和《皇帝》等,都是在他婚后创作上的成熟和鼎盛时期写出的。
约翰·施特劳斯的音乐引人撇开生活的苦难,使人忘怀一切,这并不符合时代的潮流。然而,他毕竟是一位出色的旋律作家,他的音乐保存了奥地利民间音乐的朝气和魅力,同时又兼备维也纳城市音乐的强烈感情,真实地反映出奥地利自然景色的美,他的优秀圆舞曲旋律家喻户晓,在世界音乐舞台占有重要的一席之地。直到现在,一年一度的维也纳新年音乐会便是最好的见证。

今日视频:1、乔治·普雷特指挥2010年维也纳新年音乐会《蝙蝠序曲》;2、 维也纳国家歌剧院除夕歌剧施特劳斯《蝙蝠》

 
 
 
 
 
   
  约翰·施特劳斯(Johann Strauss , 1825-1899)      
 
     
  Today in the history of music
On June 3, 1899, at 4:15 p.m., 73-year-old Johann Strauss The Younger stopped beating his heart in Vienna.
Johann Strauss, Austrian composer, violinist, and conductor, was born in Vienna on October 25, 1825, in a musical family.His father, Johann Strauss the elder, was one of the composers of Viennese dance music. He organized his own band and played in court balls and parks at home and abroad, gaining a great reputation.His wife fathered six children, including the younger Strauss, born in 1825, and five more with a mistress.He spends almost nothing on his real family and spends it all on his mistress.He strongly opposed musical training for any of his 11 children, and he eventually abandoned the first family in favor of the second.
With the help of others, the younger Strauss managed to sneak into the lectures and, for a time, his musical accomplishments far surpassed those of his father.Old John had wanted to train his son to be a bank clerk,But against his father's wishes, Little John took violin lessons from his father's bandleader and a Czech composer, determined to follow in his father's footsteps.
Johann Strauss spent his whole life in creation and performance. His conducting and playing could make the audience feel relaxed and happy. His works won the high praise of many composers, such as Berlioz, Liszt, Brahms, Feng Biao Luo and Wagner.Johann Strauss died of pneumonia in Vienna at the age of 74 on June 3, 1899.His funeral was so grand that 100,000 Viennese spontaneously joined in.His body was placed in the Central cemetery, next to Brahms's tomb, opposite Schubert's.Out of admiration, people built huge statues at his tomb.
In 1844, at the age of 19, Johann Strauss was performing his own compositions in public with a band of fifteen, competing with his father's band.After the death of John The Elder in 1849, John the Younger took charge of his father's band, and since then he has been composing, playing the violin and conducting his own band, receiving regular offers at home and abroad to travel.Between 1855 and 1872, Johann Strauss regularly led bands to Russia for summer concerts.In 1867, at the World's Fair in Paris, he was welcomed by some of the most famous literary artists in the city, including Flaubert, Gautier, Dumas, and Turgenev.However, the climax of his performance activities was his visit to the United States in 1872. It is said that he conducted 14 concerts in Boston. The concert was held in a specially built building, which could hold 100,000 audiences, while there were as many as 20,000 performers.
There are about 500 works of Johann Strauss in total, mainly some life dance, music, including waltz, polka, march and some operetta and so on.The core of his creation is waltz, known as the "King of waltz".Strauss's excellent waltz is based on the rhythm of folk dance and other expressive techniques, with profound folk color. Its vivid and simple image, rich melody and sincere and natural music language make his works widely spread among the most extensive audiences.His representative waltzes, including "The Blue Danube", "The Artist's Career", "The Story of the Vienna Woods", "Mellow Wine, Women and Songs", "The Sound of Spring" and "The Emperor" and so on, were all written after his marriage on the creation of maturity and heyday.
The music of Johann Strauss is not in line with the trend of The Times, which makes people forget all the sufferings of life.However, after all he is a wonderful melody writer, his music preserved the Austrian vigor and charm of folk music, at the same time with strong feelings of music, Vienna city truly reflects the beauty of natural scenery in Austria, his outstanding waltz melody, music stage occupies an important place in the world.Until now, the annual Vienna New Year's Concert is the best witness.
George Pratt conducts the Bat Overture at the 2010 New Year's Concert in Vienna.2, Vienna State Opera New Year's Eve opera Strauss the Bat.
 
 

 
 
 
 
     
 
约翰·施特劳斯(Johann Strauss)在和朋友们玩桥牌    
 
  约翰·施特劳斯,通常被称为约翰施特劳斯二世,1825年10月25日出生于奥地利维也纳。他的父亲约翰施特劳斯是一位自学成才的音乐家,他在维也纳建立了一个音乐王朝,创作了华尔兹、伽洛普斯、波尔卡和四重奏,出版了250多部作品。小约翰接着写了500多首音乐作品,其中150首是华尔兹,他超越了父亲的生产力和声望。诸如《蓝色多瑙河》等作品帮助施特劳斯确立了“华尔兹王”的地位,并使他在音乐史上占有一席之地。他于1899年6月3日在维也纳去世         
  Johann Strauss, commonly known as Johann Strauss II, was born on October 25, 1825, in Vienna, Austria.His father, Johann Strauss, was a self-taught musician who established a musical dynasty in Vienna, producing more than 250 works by waltz, Galops, Polka and quartets.John Jr. went on to write more than 500 pieces of music, 150 of them waltzes, and he surpassed his father's productivity and prestige.Works such as The Blue Danube helped establish Strauss as the "Waltz king" and gave him a place in music history.He died in Vienna on June 3, 1899      
       
  《蝙蝠》序曲剧照      
  《蝙蝠》序曲简介      
  《蝙蝠》序曲,OP 362
《蝙蝠》的歌剧素材取自法国剧作家梅耶克的笑剧《半夜餐》:在一次化装舞会上,以富翁爱森斯坦为首的一伙人趁法尔克博士酒醉,把他打扮成蝙蝠模样,抬到城市的尽头。法尔克清醒之后,只得于光天化日之下,在一片哄笑声中狼狈地跑回家去。从此他得了“蝙蝠”的绰号。法尔克决心
《蝙蝠》是约翰·施特劳斯创作白勺全部]6部轻歌剧中最著名的两部作品之一(另一部是《吉普赛男爵》)。按照西方的惯例,轻歌剧是很少有机会在大歌剧院上演的,但《蝙蝠》自1874年完成后,就打破了这一惯例。乐曲经1874年4月5日首演结束不久,奥地利作曲家、指挥家马勒就将这部轻歌剧列为大歌剧院里夜晚正式公演的节目,而且从这时起《蝙蝠》成为了许多国家的第一流歌剧院的保留节目。维也纳国立歌剧院更是在每年的圣诞节上演轻歌剧《蝙蝠》,让人们能够在轻松愉快的气氛中度过圣诞夜。
乐曲序奏部采用三部曲式,A大调,活跃的快板,2/2拍。乐队全奏的序奏部主题,选自歌剧第三幕爱森斯坦演唱的咏叹调主题。活泼而富有生气的旋律,使乐曲一开始就形成了轻快的喜剧气氛。
序奏部后,乐曲转为小快板速度,由第一小提琴依次奏出两个主题旋律。在大提琴拨弦伴奏下的第一主题轻柔舒展,带有较强的歌唱性。第二主题华丽流畅,富于对比性,具有双拍子舞曲的特点。
在连接性的段落之后,乐曲奏出了维也纳圆舞曲风格的段落,选自歌剧第二幕终场时舞蹈场面的配乐。乐曲由两个互成对比的主题组成,先呈示出富有生气的圆舞曲主题A。在呈示这一主题前,乐曲将主题开头两拍的凹个八分音符反复了六遍,为舒畅奔放的主题渲染了气氛,表现了作者非凡的才华。接着出现的圆舞曲主题B,选自歌剧第二幕的合唱曲,节奏张弛有致,情绪欢快明朗。随后,乐曲放慢速度,由双簧管奏出新的主题。这一主题选自歌剧第一幕中爱森斯坦、罗莎琳达、阿德莱三重唱《只剩下我留在家里》的曲调。旋律温和柔顺,略含夸张的诙谐和忧伤色彩。接着,这一主题由大提琴和单簧管齐奏一遍,然后,又由双簧管独奏出后半部分。
速度加快后,乐曲用适度的快板奏出波尔卡风格的双拍子舞曲主题,刚劲有力的节奏,充满了热烈兴奋的气氛,使乐曲进入欢乐的高潮。
新的旋律一个接一个连奏后,乐曲再现序奏主题。接着,又再现流利的双拍子舞蹈旋律和圆舞曲段落。然后,在热烈的情绪中再次重现序奏部主题音调,最后,在再现波尔卡风格的双拍子舞曲主题的欢腾气氛中终曲。
     
  Prelude to The Bat, OP 362
"The bat" opera material from the French playwright Meyerk's comedy "half Supper" : in a masked ball, the rich eisenstein led a group of people take advantage of the drunk Dr. Falk, dressed as a bat, carried to the end of the city.When Falk was sober, he had to run awkwardly home in broad daylight amid a great deal of laughter.From then on he got the nickname "bat".Falk was determined
The Bat is one of the most famous of johann Strauss's six operettas (the other is The Gypsy Baron).Operetta is rarely performed in the Grand Opera House, as is customary in the West, but "The Bat" has broken with this tradition since its completion in 1874.Soon after its premiere on April 5, 1874, the Austrian composer and conductor Mahler listed the operetta as an official evening performance of the Grand Opera House, and since then "The Bat" has become a reservation of the first-class opera house in many countries.The Viennese State Opera house is in the annual Christmas operetta bat, so that people can spend Christmas Eve in a relaxed and happy atmosphere.
The preface is in the form of A trilogy, in A major, with active allegro in 2/2 time.The prologue theme of the ensemble, taken from the aria of Eisenstein in Act III of the opera.Lively and full of lively melody, so that the music began to form a lively comedy atmosphere.
After the prologue, the music changes to allegro speed, with the first violin playing two themes in turn.Accompanied by plucked cello strings, the first theme is soft and stretches, with strong singing.The second theme is luxuriant and fluent, full of contrast, with the characteristics of double time dance music.
After the connecting passage, a Viennese waltz style passage is played, selected from the music of the dance scene at the end of the second act of the opera.The composition consists of two contrasting themes, beginning with the lively waltz theme A.Before presenting this theme, the music repeated the concave eighth note of the first two beats of the theme for six times, rendering the atmosphere for the relaxed and unrestrained theme, showing the author's extraordinary talent.Then came the waltz theme B, selected from the chorus from the second act of the opera, with a relaxed rhythm and cheerful mood.Then the music slows to a new theme played by the oboe.The theme is taken from the opera's first act to the tune of Eisenstein, Rosalinda and Adlai's trio "All That's Left is Me At Home."The melody is gentle and soft, with exaggerated humor and sadness.The theme is then played in unison by cello and clarinet, and then by oboe solo.
After speeding up the tempo, the music plays the polka style double-beat theme with appropriate allegro. The vigorous and powerful rhythm fills the atmosphere of warm excitement and brings the music into a joyous climax.
After the new melody is played one by one legato, the music reproduces the preface theme.Then, the fluent bibeat dance melody and waltz paragraphs are reproduced again.The prologue theme is then reprised in the heat of the mood, and the finale, in the jubilant atmosphere of a polka-esque bibeat theme, ends.
     
         
   
  因为有了约翰·施特劳斯(Johann Strauss)创作的交响曲《蓝色的多瑙河》才使真正的多瑙河像张了翅膀一样名扬四海,《蓝色多瑙河》也成了奥地利第二国歌。      
  It was Johann Strauss's symphony "Blue Danube" that made the real Danube famous as a wing, and "Blue Danube" became Austria's second national anthem.      
 
     
       
  乔治·普莱特(George Platt )      
  乔治·普莱特对于中国爱乐者来说是一个传奇式的名字。他出生在法国,在杜埃和巴黎接受音乐教育,起初主学小号,后转向指挥,拜克路易坦为师,先在马赛与里昂等地任助理指挥,1946年在巴黎喜歌剧院正式登台。1959年指挥普朗克的歌剧《人类之声》后成为闻名的现代音乐作品指挥家,担任过许多现代作品的首演,对歌剧也深有研究,成为法国代表性歌剧指挥。这位60年代斯卡拉歌剧院的音乐指导曾经是全球最知名的指挥家之一,他最富盛名的阶段是与玛利亚·卡拉斯的长期合作,这使得他们两人的名字在唱片和海报上成了经典组合。
维也纳爱乐乐团在2007年的第一天就急切地对外公布了2008年维也纳新年音乐会的特邀指挥,法国人乔治·普莱特出人意外地当选。届时,1924年出生的普莱特将以84岁的高龄第一次指挥这个具有悠久历史的年度音乐盛会。这是维也纳新年音乐会上又一位新面孔的“老”艺术家担任指挥。
普莱特在广大乐迷心目中,或许并非当今国际乐坛的顶尖指挥大师,实力却不可小视;他尤其擅长指挥歌剧及法国音乐,担任过巴黎歌剧院交响乐团团长,还曾是维也纳交响乐团的常任指挥,在EMI唱片公司留下过不少有价值的录音唱片。他为听众、观众所知,更多是源自1992年他带领柏林爱乐乐团,指挥了当年主题为“法国之夜”的瓦尔德尼夏季森林音乐会,精彩的演出令人印象深刻。普莱特在艺术风格上会展示出怎样的特色,人们都非常期待,2008年指挥家普莱特所带来的施特劳斯家族作品能够让人感到耳目一新!
普莱特在1956-1963年期间任巴黎歌剧院交响乐团团长,还与卡拉斯精诚合作,为其指挥歌剧或演唱会。他对法国现代音乐造诣极深,是圣桑、普朗克音乐的权威诠释者。从1986年到1991年期间,普莱特是维也纳交响乐团的常任指挥。在2004年普莱特成为奥地利音乐之友协会的荣誉会员,在他80岁生日的那年还获得了奥地利科学与艺术的十字一级勋章,与维也纳爱乐乐团有着很深的联系。
     
   
  乔治·普莱特(George Platt )      
  George Platt is a legendary name for Chinese music lovers.He was born in France and received music education in Douai and Paris. At first, he studied the trumpet, and then he turned to conductor, with Beclouitan as his teacher.After conducting Max Planck's opera "human voice" in 1959, he became a famous conductor of modern music works. He served as the first performer of many modern works and also had deep research on opera. He became a representative conductor of French opera.The musical director of the La Scala opera House in the 1960s was one of the world's most celebrated conductors, and his most famous period was his long association with Maria Callas, which made their names a classic group on records and posters.
The Vienna Philharmonic eagerly announced its guest conductor for the 2008 Vienna New Year's Concert on the first day of 2007, with the unexpected election of A Frenchman, Georges Platt.At the age of 84, Platt, born in 1924, will conduct for the first time at the historic annual music festival.This is another fresh-faced "old" artist conducting the New Year concert in Vienna.
In the eyes of the majority of music fans, Platt may not be the top conductor master in the current international music scene, but his strength is not to be underestimated.He is particularly good at conducting operas and French music. He has been the director of the Symphony Orchestra of the Paris Opera and a permanent conductor of the Vienna Symphony Orchestra.In 1992, he led the Berlin Philharmonic Orchestra and conducted the Waldeni Summer Forest Concert with the theme of "French Night". His wonderful performance was very impressive.What kind of artistic style platt will show, people are looking forward to the conductor Platt in 2008 to bring the Strauss family works will be refreshing!
Platt was director of the Symphony orchestra at the Paris Opera from 1956 to 1963. He also conducted operas or concerts for Callas in close collaboration.He has a profound knowledge of French modern music and is the authoritative interpreter of Saint-Saens and Planck music.Platt was a permanent conductor of the Vienna Symphony Orchestra from 1986 to 1991.In 2004 Platt became an honorary member of the Austrian Association of Friends of Music, and in the year of his 80th birthday he was awarded the Austrian Cross Class in Science and Arts, with a strong association with the Vienna Philharmonic orchestra.
     
 
     
         
 
维也纳国家歌剧院除夕歌剧《蝙蝠》施特劳斯
 2019.12.31
Die Fledermaus in der Wiener Staatsoper
VPO兵分两路,今年大胡子霍内克轮休。二首席施都德(Volkhard Steude)带队上金色大厅的新年音乐会,女首席(Albena Danailova)带队上国家歌剧院《蝙蝠》。德国著名男高音 乔纳斯·考夫曼(Jonas Kaufmann)中场客串。
 
 VPO is split in two, this year the beard Honecker rotation.The second chief (Volkhard Steude) led the team on the Golden Hall of the New Year concert, female chief (Albena Danailova) led the team on the State Opera House bat.Jonas Kaufmann, the famous German tenor, made a cameo.
     
         
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