首页 主页 纪念 古典 浪漫 现代 热点 教育 读书 图片 收藏 滚动 文化 人物 比赛                    
                   
                      莫扎特之旅-文化交流-音乐历史上的今天                    
                     
 
 
                   
                     

                   
                     
 
 

 
 

                                    田润德 编译文/图 2020-05-20  20:36

 
 
 
 
 

 
 
 
 
 

 
 
 
 
 
 
  约翰内斯·勃拉姆斯(Johannes Brahms,1833—1897)      
         
 

克拉拉/罗伯特 舒曼 六首小提琴钢琴浪漫曲 Clara Jumi-Kang · Yeol Eum Son

     
 
克拉拉·舒曼-小提琴和钢琴的三段罗曼史
1. 稍快的行板(00:06)
2. 快板:Mit zartem Vortrage (02:54)
3.Leidenschaftlich施耐尔(05:49)
罗伯特·舒曼-小提琴和钢琴的三段罗曼史
4. 不施耐尔(09:18)
5. Einfach innig (12:53)
6. 不施耐尔(16:56)
康珠美,小提琴
宋悅雲(Yeol Eum Son),钢琴
Clara Schumann - Three Romances for Violin and Piano
1. Andante molto (00:06)
2. Allegretto: Mit zartem Vortrage (02:54)
3. Leidenschaftlich schnell (05:49)
Robert Schumann - Three Romances for Violin and Piano
4. Nicht schnell (09:18)
5. Einfach, innig (12:53)
6. Nicht schnell (16:56)
Clara Jumi-Kang, violin
Yeol Eum Son, piano
     
  音乐历史上的今天

1896年5月20日,76岁的克拉拉·舒曼去世的消息震惊了她的忠诚的朋友勃拉姆斯,他急急横穿德国但还是迟到了几个小时,错过了她在法兰克福的葬礼。当勃拉姆斯又感到波恩时,只瞥见克拉拉的灵柩缓缓下沉至她丈夫的墓旁。
勃拉姆斯生于1833年5月7日。他的童年生活十分贫困,才13岁就在酒店里为舞会弹伴奏,在剧院帮助父亲演奏,与此同时,为了多得报酬,还写了不少沙龙音乐作品,包括各种舞曲、进行曲和管弦乐改编曲等。
贫寒与不幸往往是孕育天才的沃土,在这块苦涩的沃土中,勃拉姆斯渐渐成长起来。他没有进过任何学校,但却遇到一位十分称职的音乐教师马克森。在马克森的严格指导下,勃拉姆斯的钢琴与作曲理论进步飞快。勃拉姆斯后来能跻身于世界一流音乐大师之行列,马克森的确功不可没。他原打算成为乐队演奏员,但不久即显示出钢琴方面的才华,父母盼他成为钢琴神童。1 5岁起他开始过着以音乐为职业的独立生活,他的钢琴演奏逐渐获得听者的赏识,同时还不断创作出更多的作品。
1854年舒曼自杀未遂,后精神失常,这使得勃拉姆斯困惑不安,这在他的《d小调钢琴协奏曲》等作品中有所反映。他精神上的激动与烦恼由于对克拉拉‘舒曼的眷恋与日俱增,舒曼去世后他们两人都不打算把友情上升为婚姻,为此勃拉姆斯终身未娶。
他的物质生活相当优裕,但内心深处却非常孤独。终生独身使他没有任何亲人,他只能不断地出门旅行,到美好的大自然中去寻找慰藉。1897年4月3日,他在维也纲逝世。葬礼极其隆重,人们将他埋在著名的维也纳中央公墓中他无限景仰的艺术大师贝多芬身旁。
1858年,勃拉姆斯在迭特莫尔德城担任合唱指挥,接触到各个不同时代和风格的合唱作品,为他后来创作大型声乐作品,如《女中音狂想曲》和《德意志安魂曲》等打下牢固的基础。60年代,他定居维也纳,把当时欧洲这个音乐中心作为他的第二故乡。
作曲家的晚年盛誉纷至:当选为柏林艺术学院院士;被尊为汉堡市的“荣誉市民”;奥地利国王授予他“利奥波德”勋位;获得英国剑桥大学和德国布雷斯劳大学的博士学位等等。
1848年欧洲革命失败后,有一些参加过革命的进步知识分子来到汉堡,勃拉姆斯结识了匈牙利流亡的小提琴家爱德华·列明尼,从中接触到当时的革命思想,并得以熟悉匈牙利丰富的民间音乐。1853年,20岁的勃拉姆斯同列明尼一起,在德国的许多城市旅行演出,并创作了他的第一部重要作品《C大调钢琴奏鸣曲》,Op.1。他在汉诺威、魏玛和杜塞尔多夫分别会见了匈牙利小提琴家约阿希姆、作曲家李斯特和德国作曲家舒曼。舒曼为此还打破了他多年来的沉默,用他最后一篇论文,在《新音乐报》上热情推荐“这位出类拔萃的人物”,并预言有朝一日他如果写作管弦乐曲,一定会“展示出精神世界的更神奇的奥秘”。
勃拉姆斯一生都处于欧洲浪漫主义思潮的包围之中,但他却被公认为德国古典主义音乐大师中的最后一人。勃拉姆斯创作的范围很广,惟独没有涉及的重大音乐体裁是歌剧。勃拉姆斯的作品的形象构成和音调基础,都是植根于德国民间音乐的。他对古典音乐传统和民间音乐都同样重视,对民间音乐的感情尤其深厚,他甚至把民歌当做他自己的理想。
勃拉姆斯在欧洲音乐史上占有崇高的地位,人们把他与音乐之父巴赫和乐圣贝多芬相提并论,统称为“三B”(3位音乐大师的名字第一个字母都是“B”)

今日视频:1、康珠美演奏克拉拉·舒曼《六首小提琴钢琴浪漫曲》;2、彼得·罗塞尔演奏勃拉姆斯《C大调第一钢琴奏鸣曲》 作品1。

 
 
 
 
 
 
     
       
  约翰内斯·勃拉姆斯(Johannes Brahms)      
  Today in the history of music
 The news of Clara schumann's death on May 20, 1896, at the age of 76 shocked her loyal friend Brahms, who rushed across Germany but was still a few hours late for her funeral in Frankfurt.When Brahms felt Bonn again, she only saw Clara's coffin sinking to her husband's grave.
 Brahms was born on May 7, 1833.He lived in poverty as a child. At the age of 13, he played for a dance in a hotel and played for his father in a theater. At the same time, in order to get more money, he wrote many salon music works, including various dances, marches and orchestral arrangements.
 Poverty and misfortune are often fertile soil of genius, in this bitter fertile soil, Brahms grew up.He didn't go to any school, but he met a very good music teacher, Max.Under markson's strict guidance, Brahms's piano and composition theory developed rapidly.Indeed, markson was instrumental in Brahms's rise to the ranks of the world's greatest musicians.He intended to be a member of a band, but soon showed his talent for the piano, and his parents expected him to be a child prodigy.At the age of 15, he began to live an independent life with a career in music. His piano performance gradually gained the appreciation of the listeners, and at the same time, he continued to produce more works.
 Schumann's attempted suicide and subsequent insanity in 1854 left Brahms confused and disturbed, as reflected in works such as the piano concerto in d minor.His emotional excitement and annoyance were compounded by a growing attachment to Clara schumann, and after schumann's death neither of them intended to turn their friendship into a marriage, for which Brahms remained unmarried for the rest of his life.
 He was quite well off materially, but deep down he was very lonely.Being single all his life left him without any family, and he had to travel constantly to seek solace in the beauty of nature.He died in Vienna on April 3, 1897.The funeral was very grand, and he was buried in the famous central cemetery of Vienna next to Beethoven, the great master of art whom he admired so much.
 In 1858, Brahms served as a choral conductor in the city of dietmolde. He was exposed to choral works of different ages and styles, which laid a solid foundation for his later works of large-scale vocal music, such as mezzo-soprano rhapsody and German requiem.He settled in Vienna in the 1960s, making what was then the music center of Europe his second home.
 In his later years, composers enjoyed high reputation: he was elected as an academician of the Berlin academy of arts;Being considered an "honorary citizen" of Hamburg;The king of Austria made him Leopold;He received his PhD from Cambridge university and breslau university in Germany, etc.
 After the failure of the European revolution in 1848, some progressive intellectuals who had participated in the revolution came to Hamburg. Brahms met the exiled Hungarian violinist edvard leimini, from whom he was exposed to the revolutionary ideas of the time and became familiar with the rich folk music of Hungary.In 1853, at the age of 20, Brahms traveled with leomeni to many cities in Germany to perform and write his first major work, piano sonata in C major, op. 1.He met in Hanover, weimar and Dusseldorf, respectively, with Hungarian violinist joachim, composer liszt and German composer schumann.Schumann broke his long silence by writing his last essay in the new music journal, in which he enthusiastically recommended "this outstanding man" and predicted that one day he would "reveal the more magical mysteries of the spiritual world" if he wrote orchestral music.
 Brahms was surrounded by European romanticism all his life, but he was recognized as the last master of German classical music.Brahms created a wide range of music, but not involved in the major musical genre is opera.The image formation and tonal basis of Brahms' works are rooted in German folk music.He attached equal importance to both classical music tradition and folk music, and his affection for folk music was especially deep. He even regarded folk songs as his ideal.
 Brahms occupies a high position in the history of European music, people compare him with the father of music Bach and Beethoven, collectively known as the "three B" (the name of the three masters of music is the first letter "B").
 Today's video: 1. Kangzhumei performs Clara schumann's "six romantic songs for violin and piano"; 2.2. Peter Russell performs Brahms' piano sonata no. 1 in C major, op. 1.                                        
 

 
 
 
   
  克拉拉·舒曼。

勃拉姆斯和克拉拉的友谊甚笃,他的许多作品都是题献给这位红粉知己的。

     
  Clara schumann.

Brahms and Clara had a close friendship, and many of his works were dedicated to his confidant.

     
  勃拉姆斯在20岁那一年,在当时著名小提琴家约阿希姆的帮助引荐下,勃拉姆斯和舒曼相识。在舒曼的家中,勃拉姆斯第一次见到舒曼的妻子克拉拉,便一见钟情,爱上了克拉拉。但是,勃拉姆斯一直把这份最真挚的感情藏在心中,从未向克拉拉吐露,一直到克拉拉和他自己都离开人世。
难道因为勃拉姆斯从未吐露心声,克拉拉就未察觉吗?这是不可能的。情到深处,往往语言是多余的,也是苍白无力的。心心相通,有时是最简单质朴的,无须缤纷的语言和盛开的花朵去夺人眼目,那一般只适合在舞台上的抒情,在生活中是用不着的。尤其音乐本身就是心灵的语言,更用不着嘴巴。被音乐包围并浸染着,克拉拉不是孩子,比勃拉姆斯大14岁,又是经历过爱情的人,肯定知道勃拉姆斯的心意。
1854年,舒曼投莱茵河自杀被救,一直到两年后舒曼逝世,都是勃拉姆斯在克拉拉的身边,陪伴着她照料舒曼和他们的7个孩子,帮助她从痛苦和绝望中解救出来。为此,他放弃了许多出名和赚钱的机会。克拉拉心悬明镜般清楚,勃拉姆斯与其说是为了他的老师舒曼,不如说是为了克拉拉她自己。
     
  Brahms met schumann at the age of 20, with the help of the famous violinist joachim.At schumann's home, Brahms met schumann's wife Clara for the first time and fell in love with her at first sight.Brahms, however, kept this most sincere feeling in his heart and never revealed it to Clara until she and he died.
Did Clara not notice because Brahms had never spoken?It's impossible.Love to the depths, often language is superfluous, is also pale.Heart to heart, sometimes is the most simple simple, not to profusion of language and blooming flowers to rob the eye, that is generally only suitable for the stage lyric, is not necessary in life.Especially music itself is the language of the mind, not to mention the mouth.Surrounded and steeped in music, Clara was no child. She was 14 years older than Brahms, and someone who had experienced love knew Brahms's heart.
In 1854, schumann committed suicide in the Rhine river and was saved. Until schumann's death two years later, Brahms was at Clara's side, accompanying her to take care of schumann and their seven children, helping her out of pain and despair.To do this, he gave up many chances of fame and money.Clara knew clearly that Brahms had done more for Clara herself than for his teacher schumann.
     
       
  克拉拉·舒曼。Clara schumann. ) 年轻的时候      
  在勃拉姆斯一生中,有几首乐曲是献给克拉拉或和克拉拉有关的。
一首是他的C大调钢琴奏鸣曲。他第一次来到舒曼家,为舒曼演奏的就是这支钢琴曲。当时,舒曼让他稍稍停一下,要克拉拉一起来听。克拉拉就是在这支曲子中走进屋来,他就是在这支曲子中望见了克拉拉,眼睛一亮,而且一见钟情。
几首乐曲是献给克拉拉或和克拉拉有关的。
一首是他的C大调钢琴奏鸣曲。他第一次来到舒曼家,为舒曼演奏的就是这支钢琴曲。当时,舒曼让他稍稍停一下,要克拉拉一起来听。克拉拉就是在这支曲子中走进屋来,他就是在这支曲子中望见了克拉拉,眼睛一亮,而且一见钟情。
还有一首乐曲叫做《四首最严肃的歌》。这是用圣经里的词句编写的乐曲,是1896年克拉拉去世前不久创作的。这首乐曲之后,勃拉姆斯没有再写什么别的音乐,可以谠是他最后的作品了。我看到德国人维尔纳·施泰因著的《人类文明编年记事》的《音乐和舞蹈分册》中在1896年这一年的记事里,特意注明此曲是“献给克拉拉·舒曼”的。我没有听过这支音乐,不知是什么样的曲子,会不会就是在克拉拉墓地前献给克拉拉的曲子?因为在创作完这支曲子不久,克拉拉就逝世了。为什么这么巧,勃拉姆斯刚刚写完献给克拉拉的乐曲,克拉拉就与世长辞了?为什么又这么巧,在克拉拉去世11个月后,勃拉姆斯就又与世长辞了?莫非一切都在冥冥之中有什么预兆?莫非神或者是爱已存冥冥之中安排好了一切包括生死的时刻表?生命和艺术中真是充满着许多难解之谜 。
     
  During Brahms's life, several pieces of music were dedicated to or associated with Clara.
One is his piano sonata in C major.He came to schumann's house for the first time and played this piano piece for schumann.Schumann stopped him for a moment and asked Clara to join him.It was in this song that Clara came into the room, and it was in this song that he saw Clara, and his eyes lit up and he fell in love with her.
Several pieces of music were dedicated to or associated with Clara.
One is his piano sonata in C major.He came to schumann's house for the first time and played this piano piece for schumann.Schumann stopped him for a moment and asked Clara to join him.It was in this song that Clara came into the room, and it was in this song that he saw Clara, and his eyes lit up and he fell in love with her.
There is also a piece called the four most serious songs.It was composed in the words of the bible and written shortly before Clara's death in 1896.Brahms did not write any other music after this piece and may be his last.I saw the German Werner stein's "catalogue of music and dance" in the chronicle of human civilization, and in the chronicle of the year 1896, he noted that the song was "dedicated to Clara schumann."I have never heard this music before. I wonder what kind of music it is. Could it be the music dedicated to Clara at Clara's grave?Clara died soon after she finished the piece.Why did it so happen that Clara died just after Brahms had finished writing the music for her?Why did it so happen that 11 months after Clara's death, Brahms was dead again?Is there any sign that everything is in the dark?Could it be that god or love has arranged the timetable for everything, including life and death?Life and art are indeed full of many mysteries.
     
 
 
 
 
   
 
舒曼和克拉拉(Leif Segerstam)
     
  舒曼的套曲《童年情景》是一部很私人化的作品,确切地说,是舒曼写给他热恋中的情人克拉拉.维克的情书。舒曼18岁从家乡茨维考到莱比锡大学法律系学习,同时,跟钢琴家弗里德利希.维克学钢琴,这时维克的女儿克拉拉只有9岁,父亲的精心培养下,钢琴已经弹得很出色了。两年以后,舒曼的母亲不再阻挠他学习音乐,舒曼全身心地投入音乐,他住到老师维克先生家里,专注于钢琴演奏。在维克先生家的日子是愉快的,维克对这位入室弟子视为己出,舒曼与克拉拉也结成兄妹般的友谊。他们在钢琴上弹四手连弹,做有趣的音乐游戏,一起读书、郊游,舒曼还给她讲离奇的故事。舒曼每写出新钢琴小品,就由克拉拉试奏。随着年龄的增长,克拉拉与舒曼之间的感情发生了微妙的变化,友谊变成了爱情,这时的克拉拉16岁,已经是颇具才华的青年钢琴家了。维克先生觉察到女儿的感情变化,不禁勃然大怒,他禁止女儿与舒曼有同学之外的任何感情,他要女儿成就为一位伟大的钢琴家,而感情游戏将毁掉一个人的远大前程。维克粗暴地干涉女儿的爱情还有一个说不出来的原因,舒曼此时已愚蠢地弄伤了手指,完全不可能成为演奏家了,不得已他开始走上创作道路,而作曲家显然是个很没有保障的职业,多少有才华的作曲家,甚至是公认的大师往往一生贫困潦倒,维克先生不能把自己的掌上明珠交给一个待成名的作曲家。这位固执的德国老头挖空心思拆散年轻的一对,他带着女儿离开莱比锡,不准他们会面,禁止他们通信,甚至不准克拉拉弹舒曼写的曲子,舒曼这时已经是一位小有名气的作曲家和音乐评论家了。有一次克拉拉在德勒斯登演出,舒曼偷偷跑去与她见了一面,维克知道后立即宣布,他们要是再敢见面,就要用手枪干掉舒曼。这件事在当时的音乐界几乎成了一桩丑闻,在经历过启蒙运动并呼喊着个性解放的欧洲,如此粗暴地干涉年轻人的爱情会被认为是极不道德的。维克带克拉拉到巴黎演出时,肖邦对此事表示了不满,维克的好友李斯特竟宣布与之绝交,抗议他的暴行,在莱比锡的门德尔松也向舒曼表示同情。
 
     
  Schumann's melodic "scenes from childhood" is a very personal work, specifically a love letter he writes to his beloved Clara vick.At the age of 18, shuman moved from his hometown of zwickau to study law at the university of leipzig. At the same time, shuman studied piano with pianist friderich vick. Vick's daughter Clara was only 9 years old.Two years later, his mother gave up trying to stop him from studying music, and schumann devoted himself to it. He stayed with his teacher, Mr. Vick, and concentrated on playing the piano.It was a pleasant time at Mr. Wake's, who regarded the young man as his own, and shuman and Clara as siblings.They played four hands on the piano, played funny music games, read books, went on outings, and schumann told her strange stories.Whenever schumann wrote a new piano sketch, Clara tried it out.The relationship between Clara and schumann changed subtly as she grew older, and the friendship turned into love. Clara was now a talented young pianist at the age of 16.Mr. Wake is aware of his daughter's feelings, can not help but fly into a rage, he forbade his daughter and schumann have any feelings other than classmates, he wants her to become a great pianist, and the game will destroy a person's great future.Vic wantonly interfere in her daughter's love and I couldn't say a reason, schumann now foolishly hurt fingers, completely impossible to become a musician, he began to write the way to the composer is clearly a very insecure occupation, how many talented composer, and even accepted master often poor all his life, Mr Breivik couldn't stay put his eye to a famous composer.The stubborn old German, desperate to break up the young couple, left leipzig with his daughter, forbidding them to meet, forbidding them to write to each other, and forbidding Clara even to play the music of schumann, by this time a composer and music critic of some note.When shuman sneaked in to meet Clara at a dresden gig, vick announced that if they ever met again he would kill shuman with a pistol.It was almost a scandal in the music industry at the time, and in Europe, which had experienced the enlightenment and cried out for the liberation of individuality, such a gross interference in young people's love would have been considered highly immoral.When vick took Clara to Paris to perform, Chopin complained about the incident. Vick's friend liszt broke up with him to protest his atrocity, and Mendelssohn in leipzig also expressed sympathy for schumann.      
       
  克拉拉舒曼
给她女儿伊莉斯的信
1884年3月2日
在这封信中,克拉拉·舒曼给她的女儿伊莉斯写了关于伦敦生活的信,并期待着伊莉斯和另一个女儿玛丽即将到来的访问。她描述了冬天的严寒,报告了持续的严重牙痛,并评论了在外国生活的困难。她要求女儿们带一些“好东西”(“schone Sachen”)给她,因为她觉得伦敦的一切都很昂贵。克拉拉提供了她的另一个孩子的消息,包括费迪南德,菲利克斯和朱莉,并表示遗憾,她和伊莉斯不能在伊莉斯的生日。
     
  Clara Schumann
Letter to her daughter Elise
March 2, 1884
In this letter, Clara Schumann writes to her daughter Elise about life in London, and looks forward to the upcoming visit of Elise and another daughter, Marie. She describes the bitter cold of winter, reports suffering from an ongoing, severe tooth­ache, and comments on the difficulties of living in a foreign country. She asks that her daughters bring with them a few “nice things” (“schöne Sachen”) for her, because she feels that everything in London is expensive. Clara provides news of her other child­ren, including Ferdinand, Felix, and Julie, and expresses regret that she and Elise can’t be together on Elise’s birthday.
 
     
 
     
       
  康珠美(Jumi-Kang )      
  康珠美曾在吕贝克音乐大学师从扎哈尔·布朗教授。她是一个著名的神童,从5岁起就与莱比锡Gewandhaus管弦乐团、汉堡交响乐团和首尔爱乐乐团合作演出。9岁时,她录制了贝多芬的三重奏协奏曲和Teldek唱片公司的独奏节目。11岁时,她的手受了重伤,好几年都不能拉小提琴。随后,她在韩国国立艺术大学教授金南云的指导下学习,并在多个国际小提琴比赛中获奖:首尔(2009年一等奖)、汉诺威(2009年二等奖)和仙台(2010年一等奖)。2010年获得印第安纳波利斯国际小提琴比赛冠军,并获得五项特别奖。她在世界各地表演,并与最优秀的管弦乐队合作。2011年,她的小提琴独奏专辑《摩登独奏》由Decca发行。她演奏的是安东尼奥·斯特拉迪瓦里斯(Antonio Stradivarius)于1708年创作的小提琴《Ex-Strauss》,自2015年起从韩国三星文化基金会(Samsung Cultural Foundation of Korea)慷慨租借而来。      
   
  康珠美(Jumi-Kang )      
   Studied at the Lübeck University of Music under Prof. Zakhar Bron. She was a famous child prodigy who performed with the Leipzig Gewandhaus Orchestra, the Hamburg Symphony Orchestra, and the Seoul Philharmonic Orchestra since the age of 5. At 9 she recorded Beethoven’s Triple Concerto and a solo programme for the Teldek label. When she was 11, she suffered a serious injury to her hand and was unable to play the violin for several years. Subsequently she studied at the Korean National University of Arts under Prof. Nam-Yun Kim and was a prize winner in several international violin competitions: in Seoul (2009, first prize), in Hannover (2009, second prize), and in Sendai (2010, first prize). In 2010 she won the International Violin Competition of Indianapolis and also took five special prizes. She performs all over the world and plays with the most accomplished orchestras. In 2011 her solo album of violin pieces Modern Solo was released by Decca. She plays the violin 'Ex-Strauss', made by Antonio Stradivarius in 1708, generously on loan from Samsung Cultural Foundation of Korea since 2015.      
         
 

【钢琴】勃拉姆斯 - C大调第一钢琴奏鸣曲 作品1

     
  作曲家:约翰内斯·勃拉姆斯(1833年5月7日- 1897年4月3日)
-表演者:彼得·罗塞尔
-记录年份:1974年
C大调第一钢琴奏鸣曲,作品1,创作于1852-1853年。
一、快板
08:02 - II。行板(nach einem altdeutschen Minneliede)
13:16 - III。快板,快板,快板,快板
四、快板(Allegro con fuoco)——转瞬即逝,没有激荡感
奏鸣曲献给约瑟夫·约阿希姆。
     
  Clara Schumann - Three Romances for Violin and Piano
1. Andante molto (00:06)
2. Allegretto: Mit zartem Vortrage (02:54)
3. Leidenschaftlich schnell (05:49)
Robert Schumann - Three Romances for Violin and Piano
4. Nicht schnell (09:18)
5. Einfach, innig (12:53)
6. Nicht schnell (16:56)
Clara Jumi-Kang, violin
Yeol Eum Son, piano
     
 
 
 
     
  未得原作者编者授权严禁转载www.mt77.com任何内容      
                   
                     
 
 
 
 
                   
                     
 

站长

13051246559 1197843751

          copyright © 2003-2005 xilu.com all rights reserved.

         版权所有 copyright © 2003 莫扎特之旅  黑icp备05009702号