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| 马科斯·雷格（Max Reger，1873-1916） | |||||||||||||||||||||||
| 布隆姆施泰特指挥莱比锡布商大厦管弦乐团 马克斯·雷格钢琴协奏曲与贝多芬第六交响曲 | |||||||||||||||||||||||
| Brumstedt conducts the Max reg piano concerto and Beethoven's sixth symphony with the chambre orchestra of leipzig | |||||||||||||||||||||||
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音乐历史上的今天
1916年5月11日，43岁的作曲家马科斯·雷格（Max Reger)被发现死于莱比锡一家酒店的客房里，手里拿着一张报纸。
1905年担任波格斯合唱团（Porges
Chorale
Society）的指挥。同年开始在慕尼黑音乐学院任教，教授对位法、作曲和管风琴。1907年担任莱比锡大学的音乐负责人和音乐学院的教授。
1908年获耶拿大学文学与社会学系荣誉博士，又荣获莱比锡音乐学院皇家撒克逊教授（Royal Saxon
Professor）的荣誉称号，他的作品在科隆首演，也获得巨大的成功。
1909年至英国作了一次成功的巡回演出。1910-1914年担任迈宁根乐团的指挥。此后专心作曲。
1916年5月11日逝世于莱比锡。
除了管风琴作品，雷格还创作了合唱和管弦乐作品、室内乐和歌曲。他的主要管弦乐作品有《波克林组曲》、《莫扎特主题变奏曲与赋格曲》、《古典风格组曲》和《贝多芬与希勒主题变奏曲》。还有钢琴协奏曲、无伴奏小提琴奏鸣曲、中提琴独奏三组曲和其他作品。他的管风琴作品包括对Ein feste Burg的幻想;变幻无常;关于瓦彻特·奥夫合唱团的幻想!在死亡的刺激;和F小调奏鸣曲。
雷格的创作注重技巧的追求，音乐素材多数来源于经典的德国巴洛克音乐，在键盘乐器复调音乐方面作了开拓性的努力，并取得了非常重要的成就，是继巴赫、勃拉姆斯之后，纯正的德国键盘乐器变奏曲主线上的继承。但相当一个时期以来，人们把他归为保守派音乐家，缺少音乐精神的追求，认为“那些即便相当成功的作品由于缺乏浪漫派音乐的那种文学价值，虽然能够感染人的神经却无法打动人的心灵”，代表了“行将结束的19世纪的精神，不明显地进入了20世纪”。但2000年以来，雷格的价值又重新受到人们的重视。 《A大调小提琴协奏曲》 |
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| 马科斯·雷格（Max Reger) | |||||||||||||||||||||||
| 马科斯·雷格 (Max Reger1873-1916)德国作曲家、钢琴家，管风琴家，指挥家、教师。在宗德斯豪森和威斯巴登从雨果·里曼学习，1895至1896年任威斯巴登音乐学院教师，l905至l906年任慕尼黑音乐学院教师，l907至l908年任莱比锡大学音乐指导，自1907年直至去世任莱比锡音乐学院作曲教师。在音乐上属保守派，但自称进步派，且惯与两派为敌，特别是在慕尼黑期间。19ll至l914年闻任迈宁根宫廷乐队指挥，1915年后卜居耶拿，每星期去莱比锡音乐学院上课。在德国、瑞士、俄罗斯、荷兰和英国等地演出。 | |||||||||||||||||||||||
| Max Reger (1873-1916) was a German composer, pianist, organist, conductor, and teacher.Studied in schhausen and wiesbaden from Hugo Riemann, teacher of wiesbaden conservatory of music from 1895 to 1896, teacher of l905 to l906, music director of the university of leipzig from l907 to l908, music teacher of the leipzig conservatory of music from 1907 until his death.He was musically conservative, but called himself progressive and was used to antagonizing both, especially in Munich.From 19ll to l914, he was the conductor of the miningen court orchestra. After 1915, he lived in jena and attended the leipzig conservatory of music every week.She performed in Germany, Switzerland, Russia, the Netherlands and England. | |||||||||||||||||||||||
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| 马科斯·雷格（Max Reger) | |||||||||||||||||||||||
| 由于里曼的影响，很早便热爱巴赫和布拉姆斯的音乐，熟谙对位和晚期浪漫派和声的全部技法。器乐创作避免任何标题，在古典主义和前古典主义的曲式基础上，建造起巨大结构，和声极其繁复即使是最成功处也只能称之为宏大，事实上往往显得笨重两臃肿。在晚期作品中开始用规矩约束他的非凡的才华，可措未及成熟便与世长辞。他的管风琴作品（包括众赞歌前奏曲、前奏曲与赋格、帕萨卡利亚和许多短曲）在管风琴音乐文献中占有重要地位，特别是在德国。作品编号达l47，除管弦乐积管风琴作品外，包括室内乐，合唱曲，协奏曲，两首大型钢琴曲（两架钢琴），各种形式的钢琴小曲和歌曲。他为乐队写的《莫扎特主题变奏曲》（以莫扎特A大调《钢琴奏呜曲》k331开始主题为基础）至今演奏者仍不乏其人。另著有论述转调的教科书一册。 | |||||||||||||||||||||||
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| 马科斯·雷格（Max Reger) | |||||||||||||||||||||||
| Influenced by Riemann, he loved Bach and Brahms from an early age and knew all the techniques of counterpoint and late romantic harmony.Instrumental creation avoids any title, building on the classical and pre-classical forms of the music, building huge structures, harmonies are extremely complex even the most successful can only be called grand, in fact often appear ponderous and bulky.In later works, he began to restrain his extraordinary talent with rules, but he died before he reached maturity.His organ works (including hymns preludes, prelude and fugue, pasakaria, and many short pieces) have an important place in the organ music literature, especially in Germany.Crystal number up to l47, in addition to orchestral ensemble organ works, including chamber music, chorus music, concertos, two large piano pieces (two pianos), various forms of piano ditties and songs.He wrote for the orchestra variations on A Mozart theme (based on the beginning of Mozart's piano tune k331 in A major), which is still played today.There is also a textbook on transfer. | |||||||||||||||||||||||
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Today in the
history of music On May 11, 1916, the composer Max Reger, 43, was found dead with a newspaper in his hotel room in leipzig. Max Reger (1873-1916) was a German composer.He was born in Brand, Bavaria, Bavaria, on March 19, 1873.At the age of 15, he was impressed by Wagner's "Parsifal" and "the famous nuremberg singer" at the Bayreuth Festival.1890 to Wiesbaden, where he studied composition with Hugo Riemann.The following year he began to write two sonatas for the violin.He met the Italian composer boussoni in 1895.Joined the German reserve army in 1897. In 1899, Richard strauss took an interest in his work and helped him publish it in Munich.In 1903, he wrote the theoretical work Beitrage zur Modulationslehre on transfer. He was the conductor of the Porges Chorale Society in 1905.In the same year he began teaching at the Munich conservatory of music, where he taught contraption, composition and organ.In 1907 he was music director and professor at the conservatory of music at the university of leipzig. In 1908 he received an honorary doctorate from the department of literature and sociology at the university of jena, and an honorary title from the Royal Saxon Professor at the leipzig conservatory of music, whose work was first performed in cologne and was a great success. He made a successful tour of England in 1909.Conductor of the miningen orchestra from 1910 to 1914.After that, he concentrated on composing music. He died in leipzig on May 11, 1916. In addition to organ works, reg wrote choral and orchestral works, chamber music, and songs.His major orchestral works include the berklin suite, the Mozart variations and fugue, the classical suite, and the Beethoven and Schiller variations.There are also piano concertos, unaccompanied violin sonatas, three suites for viola solo, and other works.His organ works include fantasies of Ein feste Burg;Capricious;A fantasy about the washert-offe choir!Stimulation in death;And sonata in F minor. Reg's creation pays attention to the pursuit of skills, and his musical materials are mostly from the classical German baroque music. He has made pioneering efforts in the music of keyboard instrument polyphony and made very important achievements, which is the inheritance of the pure German keyboard instrument variations on the main line after Bach and Brahms.But quite a period, people put him into the conservative musician, the pursuit of a lack of spirit of music, believe that "work that even successful due to a lack of romantic music of that kind of literary value, though can infect people nervous but can't touch the heart of the people", represents the "spirit of the end of the 19th century, not clearly into the 20th century".But since 2000, reg's value has come back into focus. Today's video: 1. Carl licht conducting Bach's Matthew's passion.2. Franz Schubert's art song "you are longing" -- adapted by marcos reg. |
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| 赫伯特·布隆斯腾特（Herbert Blomstedt ） | |||||||||||||||||||||||
| 赫伯特·布隆斯腾特是一位美国瑞典指挥家。 赫伯特·布隆斯特特出生于马萨诸塞州的斯普林菲尔德。 在他出生两年后，他的瑞典父母把这家人送回了原籍国。 他在斯德哥尔摩皇家音乐学院和乌普萨拉大学学习，然后在1949年在达姆施塔特研究当代音乐，在桑科达坎托洛姆巴斯里尼斯与保罗赫进行巴洛克音乐，并与伊戈尔·马克维奇、朱利亚德学校的让·莫雷尔和三角伍德的伯克希尔音乐中心的伦纳德·伯恩斯坦进一步进行研究。 布隆斯特德年轻时也住在芬兰。 | |||||||||||||||||||||||
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| 赫伯特·布隆斯腾特（Herbert Blomstedt ） | |||||||||||||||||||||||
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| 赫伯特·布隆斯腾特（Herbert Blomstedt ） | |||||||||||||||||||||||
| Herbert Blomstedt is an American-Swedish conductor. Herbert Blomstedt was born in Springfield, Massachusetts. Two years after his birth, his Swedish parents moved the family back to their country of origin. He studied at the Stockholm Royal College of Music and the University of Uppsala, followed by studies of contemporary music at Darmstadt in 1949, Baroque music with Paul Sacher at the Schola Cantorum Basiliensis, and further conducting studies with Igor Markevitch, Jean Morel at the Juilliard School, and Leonard Bernstein at Tanglewood's Berkshire Music Center. Blomstedt also lived in Finland during his youth. | |||||||||||||||||||||||
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彼得·塞尔金(1947年7月24日出生于美国纽约他是美国钢琴家，以演奏古典和当代作品而闻名。 彼得是钢琴家鲁道夫·瑟金的儿子，他是一个天才，12岁时就与美国交响乐团一起演奏了莫扎特和海顿的协奏曲。1965年之前，他一直在费城的柯蒂斯音乐学院学习，之后开始了他的录音生涯，演奏了J.S.巴赫和弗朗茨·舒伯特的音乐。到1969年，他放弃了在音乐会上穿正装，他的节目几乎全部是20世纪作曲家的作品，包括伊戈尔·斯特拉文斯基(Igor Stravinsky)、奥利维尔·梅塞恩(Olivier Messaien)和阿诺德·勋伯格乐团(Arnold Schoenberg circle)。 Serkin对非西方哲学和音乐传统的兴趣使他在20世纪70年代早期退休，并在亚洲和摩洛哥旅行了很长一段时间，然后住在墨西哥。1973年，他重返乐坛，并与人共同创立了“扎西”乐团，这是一个以乐器演奏(钢琴、单簧管、小提琴、大提琴)和主要以当代作曲家为中心的保留剧目为特色的室内乐团体。他的公开表演和录音在20世纪70年代并不多见，但在1980年之后，他在独奏、室内乐和交响乐方面频繁出现，而且，尽管他更频繁地演奏古典和浪漫作品，他继续首演在世作曲家的新 作品。 |
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| 彼得·塞尔金（Peter Serkin) | |||||||||||||||||||||||
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Peter Serkin, (born July 24, 1947, New York, New
York, U.S.—died February 1, 2020, Red Hook, New
York), American pianist noted for his performances
of classical and contemporary works. A son of pianist Rudolf Serkin, Peter was a prodigy who by the age of 12 played concertos by W.A. Mozart and F.J. Haydn in concert with American orchestras. He attended the Curtis Institute in Philadelphia until 1965, then began his recording career by playing music of J.S. Bach and Franz Schubert. By 1969, he abandoned wearing formal attire at concerts and devoted his programs almost entirely to 20th-century composers, including Igor Stravinsky, Olivier Messaien, and the Arnold Schoenberg circle. Serkin’s interests in non-Western philosophies and musical traditions led him to retire in the early 1970s, to travel at length through Asia and Morocco, then to live in Mexico. He returned to performing in 1973 and cofounded Tashi, a chamber group unique for its instrumentation (piano, clarinet, violin, cello) and for its repertoire, which was largely centred on contemporary composers. His public performances and recordings, infrequent in the 1970s, became frequent after 1980 in solo, chamber, and symphonic contexts, and, though he played classical and romantic works more frequently, he continued to premiere new works by living composers. |
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| 弗朗茨·舒伯特艺术歌曲《你是渴望 》——马科思·雷格改编 | |||||||||||||||||||||||
| Franz Schubert (1797-1828) - (Orch. - Max Reger) Du bist die Ruh | |||||||||||||||||||||||
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