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| 尤金·伊萨依（Eugene Ysaye) | |||||||||||||||||||||||
齐默尔曼演奏伊萨伊小提琴奏鸣曲 |
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| P.Zimmermann - Ysaye Violin Sonata No.3 Op.27-3 Ballade | |||||||||||||||||||||||
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音乐历史上的今天
1931年4月25日，伟大的比利时小提琴演奏家尤金·伊萨依（Eugene Ysaye)用瓦龙方言创作的歌剧《挖矿人彼得》（Perer the
miner)在布鲁塞尔上演。但是伊萨伊在第一次彩排时就晕倒，并且病重无法指挥。 |
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| 尤金·伊萨依（Eugene Ysaye ） 帕赫曼`弗拉基米尔。 | |||||||||||||||||||||||
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Today in
the history of music On April 25, 1931, "Perer the miner," an opera in the walloon dialect by the great Belgian violinist Eugene Ysaye, opened in Brussels.But isai fainted during the first rehearsal and was too ill to command. Joachim and sarasati were two antagonistic figures who dominated the development of violin playing in the second half of the 19th century.Joachim has the seriousness of classicism and is famous for his profound emotion in playing.Salasati captivated the audience with his sweet voice and brilliant technique.As the two opposing superstars faded, there was inevitably a new need to combine the two styles, with perfect skill and intense emotion.In the last two decades of the 19th century, Belgium's Eugene isai fulfills this need. "he plays like a bird singing," he compares with liszt and paganini. Eugene Ysaye (1858.7.16-1931.5.12) was born into a poor family that had been making nails since the 16th century.Isai's father defied family tradition to become a seamstress, an excellent amateur violinist and music director of the local church.Isai began to learn the violin from his father at the age of four, but he was not a child prodigy. As an enthusiastic and wayward child, he often played noisily with his friends instead of practicing for long hours as his parents required.In 1865, when he was only seven years old, he entered the liege conservatory of music, won second place a year later, but was expelled from the school in 1869.The specific reason for the expulsion is not certain, but it seems to be because of the inconsistency between his father's teaching style and that of the conservatory.The conservatory acknowledged his "talent" but complained that he "didn't practice".Isai then joined his father at local music events.He tried his hand at being a panzer, but was soon fired because he had no interest in being a soldier. One day in 1873, he met Henry vierdang by chance and changed his life.Vierdang was passing isai's house when he heard a beautiful adagio movement of his concerto no. 4 in d minor being played. He knocked on the door and asked the names of the players.This meeting was lucky for both sides.From then on vierdang and the child became inseparable, and the child as his spiritual heir, isai has always regarded vierdang as his mentor.When winnie learned that isai had been expelled from musicology, she tried to get the boy to re-enter the conservatory and study directly in rodolfo massar's class.Isai's efforts were soon rewarded with a first prize and a gold medal. Today's video: 1. The third sonata for the Zimmerman isay violin;2. Hilary Hahn isay violin sonata. |
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| 尤金·伊萨依（Eugene Ysaye ） | |||||||||||||||||||||||
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| 尤金·伊萨依（Eugene Ysaye ） | |||||||||||||||||||||||
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伊萨依的教学技巧在于他的示范能力。他教学时手里总是拿着小提琴。美国伟大的小提琴教师之一路易斯·帕辛格在莱比锡的布商大厦第一次听到伊萨依演奏，从那以后他就一直急切地等待着跟伊萨依学琴，直到1905年他才有机会到比利时去跟伊萨依学习。金戈尔德在伊萨依的教学技巧方面提供给我们极宝贵的第一手数据。当时金戈尔德是在伊萨依于比利时的祖特为自己建造的夏季别墅“La
Chanterelle”（字面意思为“E弦”）里，演奏给伊萨依听的。 我准备了勃拉姆斯的小提琴协奏曲的第一乐章，满怀热情地到他那里去了。伊萨依非常平静地用他那低沉的声音说：“你能演奏G大调的三个八度音阶给我听吗？”我一下子愣住了，但是我还是按照他的要求去做，接着他又要我用各种能想出来的弓法进行演奏，直到最后他才让我演奏勃拉姆斯的协奏曲。 金戈尔德被接受为伊萨依的学生，但是有一个条件，那就是他要学习法语。伊萨依说他只和他说几令星期的英语。伊萨依纠正金戈尔德的第一个技巧就是换弦（从一根弦不间断地换到另外一根弦）的方法，伊萨依示范了法比学派通过使用前臂的运弓方法，从一根弦换到另外一根弦能发出的有力而丰满的声音。伊萨依教授了金戈尔德两个月的时间，才对金戈尔德的运弓感到满意。自此以后，他们才开始学习演奏曲目，他所教的第一个曲目就是维厄当的《第五小提琴协奏曲》。 |
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Ysaye
's
teaching skill lies in his demonstration ability.He always has a violin
in his hand
when he teaches.Louis passinger, one of America's great violin teachers,
first heard isai play in the bouchon building in leipzig. From then on,
he eagerly waited to learn from isai. It was not until 1905 that he had
the opportunity to go to Belgium to study with isai.Gingold provides us
with invaluable first-hand data on isai's teaching techniques.At the
time, kinggold was playing to isai in La Chanterelle (literally "E
string"), the summer home isai had built for himself in zuter, Belgium. I prepared the first movement of Brahms's violin concerto and went to him with enthusiasm.Isai said very quietly in his deep voice, "can you play the three octaves of G major for me?"I was stunned, but I did what he asked me to do, and then he asked me to play with every bow I could think of, until finally he asked me to play the Brahms concerto. Gingold was accepted as isai's student on the condition that he should study French.Isai said he only spoke English to him for a few weeks.Isai's first technique for correcting kinggold was the method of changing strings (from one string to another without a break). Isai demonstrated the powerful and full sound that the fabians could make by changing from one string to another using the bow method of the forearm.It took professor isay two months for kinggold to be satisfied with his bow.Only then did they learn to play, and the first piece he taught was vierdang's concerto for the fifth violin |
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| 伊萨依的学生约瑟夫·金戈尔德 (Josef Gingold） | |||||||||||||||||||||||
| 约瑟夫·金戈尔德 (Josef Gingold，1909-1997) ，生于俄国的金戈尔德却在美国学习成长，并进而成为二十世纪最重要的小提琴教师之一，1909年10月28日出生在俄国，在1917年革命后不久举家迁移到美国。约瑟夫·金戈尔德1982年创办的印第安纳波里斯国际小提琴比赛已是世界上竞争最为激烈的小提琴赛事之一。 | |||||||||||||||||||||||
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| 约瑟夫·金戈尔德 (Josef Gingold）在教学中 | |||||||||||||||||||||||
| Born in Russia, Gingold grew up in the United States and went on to become one of the most important violin teachers of the 20th century. He was born in Russia on October 28, 1909, and his family moved to the United States shortly after the 1917 revolution.The Indianapolis international violin competition, founded by Joseph gingold in 1982, has become one of the most competitive violin competitions in the world. | |||||||||||||||||||||||
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| 尤金·伊萨耶和他妻子。 比利时小提琴家，指挥家和作曲家。 克拉里工作室的照片。 签字日期是1908年。 1858-1931. | |||||||||||||||||||||||
| Above Eugène Ysaye with his wife. Belgian violinist, conductor and composer. Photo by Klary studio. Date of signature is 1908. 1858-1931. | |||||||||||||||||||||||
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1886年9月在伊萨依举行婚礼的几天之前，于卢森堡举行了一个庆祝宴会，以法国的学者和作曲家查尔斯·博尔德为首的一批法国人来参加了这个典礼。当宴会上大家讲完话之后，博尔德拿出一部手稿，并且把他献给了伊萨依，这部手稿上写着“法朗克敬上”，这是他为伊萨依的婚礼所特别创作的。伊萨依非常激动，并说他愿意当场演奏这部作品。他问博尔德的姻亲姐妹、著名的钢琴家莱奥汀娜·博尔德一佩纳是否愿意和他一起首演这部作品。于是两位艺术家就开始视奏这部作品，听众都感动得流下眼泪。博尔德～佩纳女士还和伊萨依一起于同年12月16日在布鲁塞尔首演这部作品。讽刺的是，法朗克传记的作者对伊萨依并没有给予应有的赞扬。 1922年伊萨依返回布鲁塞尔。他的妻子于1924年去世，四年后他与珍妮特·丁辛结婚。丁辛是从美国到布鲁塞尔来足艮他学琴的一位美国学生。当时伊萨依是七十岁，他的新娘只有二十四岁。他们的婚姻似乎很美满，因为在这方面我们这位大师是很有眼光的。伊萨依的健康一直是给他带来麻烦的问题之一，但是他的年轻妻子给予他很大的帮助，她严格地限制他的饮食，从而控制了他多年的糖尿病。但他始终未能克服他手抖动的毛病。弗莱什把他右手抖动的毛病归罪于他错误的运弓技巧。但是金戈尔德告诉本书的作者，伊萨依的手一直是发抖的，即使他用手去拿一杯水，有时也得他的的左手帮助右手使它不致抖动。 |
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A few days before
the wedding at isai in September 1886, a group of French people, led by
the French scholar and composer Charles borde, attended a celebrant
dinner in Luxembourg.After the speeches at the feast, boulder produced a
manuscript, which he dedicated to isai, with the words "with all due
respect to franck," which he had created for isai's wedding.Isai was
thrilled and said he would like to play the piece on the spot.He asked
boulder's sister-in-law by marriage, the famous pianist leodina boulder
pena, if she would be willing to debut the work with him.The two artists
then began to play the work visually, and the audience was moved to
tears.Ms boulder pena also premiered the work with isay in Brussels on
December 16th.Ironically, Mr Frenk's biographer does not give isai the
credit he deserves. In 1922 isai returned to Brussels.His wife died in 1924, and he married janet dinsing four years later.Dinsing was an American student who had come to Brussels from the United States to give him lessons.Isai was seventy years old, and his bride twenty-four.Their marriage seemed to be a happy one, for in this respect our master had a good eye.Isai's health has been one of his problems, but his young wife has been a great help, and she has kept his diabetes under control for years by severely restricting his diet.But he was never able to overcome his shaking hands.Flash blamed his right hand jitter on his faulty bow handling.But gingold told the author that isai's hand was always shaking, and even when he reached for a glass of water, he sometimes had to use his left hand to keep his right hand from shaking. |
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| 弗兰克·彼得·齐默尔曼(frank Peter Zimmerman) | |||||||||||||||||||||||
| 弗兰克·彼得·齐默尔曼1965年出生在德国的杜伊斯堡，5岁开始学习小提琴，10岁举办个人第一场音乐会。在1983年结束与赫曼·克雷伯斯的学习后，齐尔默曼与世界所有主要乐团以及世界最知名的指挥家合作过。他与乐团合作的音乐会以及独奏音乐会已经遍布欧洲、美国、日本、南美和澳大利亚的所有主要音乐场馆和国际音乐节。 | |||||||||||||||||||||||
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| 弗兰克·彼得·齐默尔曼(frank Peter Zimmerman) | |||||||||||||||||||||||
| Born in 1965 in duisburg, Germany, frank Peter Zimmerman began playing the violin at the age of five and gave his first concert at the age of ten.After completing his studies with Herman Krebs in 1983, Zimmerman has worked with all the world's major orchestras and with the world's most famous conductors.His concerts and solos with the orchestra have been performed at all major music venues and international festivals in Europe, the United States, Japan, South America and Australia. | |||||||||||||||||||||||
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希拉里 哈恩 伊萨伊小提琴奏鸣曲 |
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| Hilary Hahn Ysaye Violin Sonata | |||||||||||||||||||||||
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| 未得原作者编者授权严禁转载www.mt77.com任何内容 | |||||||||||||||||||||||
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