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| 克劳德·德彪西（Achille-Claude Debussy 1862－1918） | ||||||||||||||||||||||||
【德彪西】大海 La Mer (卡拉扬指挥 |
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| 交响音画《大海》，作于1905年三月。本曲为德彪西最大的一部交响音乐作品，由三个不同内容的乐章组成，但每个乐章之间又有内在的联系，集中起来构成一部完整的作品。它表现了“大海”的景色及其富有动态的性格，并通过整个乐队的不同音区，极为强烈地表现出“大海”中各种画面的色彩。乐曲在时间和空间上给人以完整的“海”的印象和对海的幻想。新颖的和声、短小的旋律、丰富的音色、自由的发展，这些印象派的手法，都生动地刻画出了一幅幅大海的生动画面。 | ||||||||||||||||||||||||
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音乐历史上的今天
1911年2月6日，德彪西这样评价维也纳：“颓废之城，到处充斥着布拉姆斯和普契尼的音乐，到处都是躲在女人怀里的军官，到处都是依偎在军官胸前的女人。”
十九世纪末，二十世纪初欧洲音乐颇受影响的作曲家、革新家，对欧美各国的音乐产生了深远的影响，他在马斯内开创的法国音乐传统影响下，结合了东方音乐西班牙舞曲和爵士乐等音乐特点，创造出了别具一格的和声，其代表作品有管弦乐《大海》，牧神午后前奏曲，钢琴曲，练习曲，他的创作最高峰应该是歌剧《佩利亚斯与梅丽桑德》。 1899年德彪西与裁缝罗萨莉（莉莉）．泰克西埃结婚，5年后离婚。不久又和一位银行家的妻子、歌唱家爱玛·巴尔达克夫人相好，两人于1905年结婚，同年交响素描《大海》首次演出并获得成功。1918年3月2
5日，德彪西逝世于巴黎。当时，德国的炮弹已经轰击法国首都巴黎多日，战局非常严重，因此当他下葬时，仪式十分简单，少数送葬人中有的还戎装在身。 今日视频：1、卡拉扬指挥柏林爱乐演奏德彪西的交响诗《大海》。 2、哈尔滨出生的钢琴巨匠阿纳托利·维德尼科夫 （Anatoly Vedernikov）演奏德彪西作品。虽然他最擅长德奥系音乐，特别是贝多芬的作品，但这本德彪西也是极好的一部，难得的钢琴奇才。 |
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| 克劳德·德彪西和好友安德烈·卡普列 | ||||||||||||||||||||||||
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Today in music history On February 6, 1911, Debussy said of Vienna: "the decadent city is full of Brahms and puccini music, full of officers hiding in the arms of women, full of women snuggling in the chest of officers." Vienna said of Debussy: "a man with broad shoulders has hair as black as charcoal and a pointed beard;There was something languid and clumsy in his manner, and a melancholy and weariness in his eyes." Achille-claude Debussy (August 22, 1862 -- March 25, 1918) was one of the most important, greatest and creative composers of the 20th century. He was also a pianist, a music critic, and the founder of impressionist music. End of the 19th century, the early twentieth century European music quite affected by the composer, innovators, had a profound impact on European and American countries music, he created in massenet the French music under the influence of traditional, combines the Oriental music Spanish dance music and jazz music characteristics, create a unique harmony, its representative works include orchestral music "the sea", fauns afternoon preludes, piano, etude, his creative peak should be opera peja arias and merry sander. In 1862, Debussy was born in a small bourgeois family in saint-germain, France. His parents ran a small ceramic shop, which went bankrupt due to poor management.His father was also imprisoned for taking part in the Paris commune uprising, which unsettled Debussy's early life with little formal education.At the age of eight, he studied piano with mme morte DE flavier, one of Chopin's pupils and verlaine's mother-in-law.He joined the Paris conservatory of music in 1873, where he studied under lavinac, mamontel and d 'uron.During this period there was a reputation for playing the piano in wrong notes, harmonies and music theory. In 1880 and 1881 summer vacation Debussy went to Russia to work, in Tchaikovsky's patron madame meck family as a home piano teacher, and with her to Italy, Austria travel, exposure to Russian music.He had no interest in Tchaikovsky but was heavily influenced by musorgsky.His failure to win a piano prize at the age of 17 discouraged his parents from becoming a pianist.The next year Debussy won the first prize in score reading, which enabled him to enter the composition department. In 1899, Debussy and the tailor Rosalie (lilly).Techier married and divorced five years later.They married in 1905, the same year that the symphony sketch "the sea" was first performed and was a success.Debussy died in Paris on March 25, 1918.When he was buried, the ceremony was simple, and some of the few mourners were still in full military uniform. Debussy's impressionism gradually became the leading principle of his creation.In piano music, he found sounds that composers had paid little or no attention to in the past.His music has evocative power, but it is not vague, and shows the greatest possible precision and precision of technique.Debussy is also a famous music critic, his critical works although sometimes biased, but always straightforward and funny. In 1884, he won the Rome prize for cantata's prodigal son.He went to Rome in 1885 to study and returned to Paris in 1887.In 1888 and 1889 he went to bayreuth for the music festival. After the outbreak of the first world war, Debussy wrote three works reflecting the war -- "hero lullaby" and "homeless children's Christmas song", showing his patriotic enthusiasm;All the works he made during this period were signed "Claude.Debussy, French musician.Debussy spent his later years in illness, he felt depressed, but still struggled to keep writing.At this point, he returned to the chamber music he had been working on for more than 20 years in the 1990s, but only wrote three of the six sonatas he had planned. Debussy's musical style is characterized by the use of titles and rich tonal changes to arouse associations, less straightforward expression, more musical hints.His music avoids literary narrative and seems to lack a passion.In music, Debussy's tunes are mostly free, asymmetrical development, in fragments of short sentences appear.The main field of Debussy's music works is to arouse people's reverie by describing the natural scenery, and to recall the dream which has already vanished and to reproduce some life scenes. Today's video: 1. Karajan conducts the Berlin philharmonic to play Debussy's symphonic poem the sea. 2. Harbin born piano giant vidnikov plays the works of Debussy.Although he was best at German and Austrian music, especially Beethoven, this Debussy was also an excellent work, a rare piano prodigy. |
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| 克劳德·德彪西（Achille-Claude Debussy）在演奏钢琴 | ||||||||||||||||||||||||
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"The sea"
was written in 1903-1905. During this period, Debussy first started
writing at the home of his wife lili. In 1904, he abandoned lili and
eloped with Emma in jersey.According to Debussy, the song was composed
from memory: "why is the sea washing the slopes of bulgogne?I have
countless memories.These are more useful in my mind than in real
life.Because the glamour of reality is generally too heavy a burden to
bear.""Who knows the secret of music creation?The sound of the sea, the
curve of the sea, the clear breeze in the shade, the song of the birds,
all these formed a voluptuous impression in my mind.All of a sudden,
without any reason, these images would spread out into the periphery as
a memory point, and the music would emerge, naturally having harmony in
itself. This piece is Debussy's largest symphonic music work, composed of three different movements, but each movement has an internal connection, together constitute a complete work.It shows the scenery of "the sea" and its dynamic character, and shows the colors of various pictures in "the sea" very strongly through the different sound areas of the whole band.Music in time and space to give a complete "sea" impression and fantasy of the sea.Novel harmonies, short melodies, rich timbre and free development, all of these impressionist techniques vividly depict vivid pictures of the sea. |
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| 克劳德·德彪西（Achille-Claude Debussy）和夫人 | ||||||||||||||||||||||||
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| 克劳德·德彪西（Achille-Claude Debussy）和女儿 | ||||||||||||||||||||||||
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| 阿纳托利·维德尼科夫（Anatoly Vedernikov） | ||||||||||||||||||||||||
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出生:1920年-中国 哈尔滨 去世时间:1993年-俄罗斯莫斯科 俄罗斯钢琴家、音乐教师阿纳托利(托利亚)·伊万诺维奇·维捷尔尼科夫，1920年出生于哈尔滨的一个贸易工人家庭。他的表演生涯始于1930年，当时他是一名钢琴天才。1933年毕业于哈尔滨高等音乐学院(狄龙六班)。1936年之前，他在中国和日本举办音乐会(在那里他师从钢琴家西罗塔)。1936年，他进入莫斯科音乐学院(师从海因里希·涅高兹)，1947年毕业。1937年，他的父母都受到镇压，他的父亲被枪决，他的母亲被判处8年徒刑。 1942年，阿纳托利·维捷尔尼科夫在莫斯科举行了他的第一次个人音乐会。1945年参加全联盟演奏音乐家比赛，但没有进入第三轮。1937年到达莫斯科时，他成为了斯维亚托斯拉夫·里希特（Sviatoslav Richter）(也是海因里希·涅高兹Heinrich Neuhaus的学生)的好朋友。1940-1959年，他们经常一起演出:巴赫协奏曲、肖邦回奏曲、李斯特钢琴协奏曲、德彪西黑色与白色、拉赫玛尼诺夫第二组曲、巴托克·贝拉奏鸣曲。他与普罗科菲耶夫的创作关系将他联系在一起，普罗科菲耶夫指示他为他的一些作品做转录和乐器演奏;维捷尔尼科夫是他的《钢琴与管弦乐队第四协奏曲》在俄罗斯的首演。他也是第一个(继作曲家之后)演奏第一和第二十四首钢琴前奏曲和赋格，作品87由德米特里·肖斯塔科维奇，谁重视他的作品的解释。维捷尔尼科夫成为莫斯科音乐会现场的独奏家，但他的音乐活动主要发生在外围。 1958年起，阿纳托利·维捷尔尼科夫任教于格涅辛音乐教育学院(1963年起为副教授)，1980年起任教于莫斯科音乐学院(1985年起为教授)。他的学生中有A.V.谢卢迪亚科夫和N.S.基斯连科。他的职业生涯没有在苏联以外发展，但自1969年以来，他开始在国外(在社会主义国家)演出;1980年，他在意大利和苏格兰首演，然后在芬兰和德国巡回演出。1983年被授予“俄罗斯苏维埃社会主义共和国荣誉艺术家”称号。 维捷尔尼科夫的表演风格表现出不同的理性主义思想。他更喜欢哲学计划的产物:巴赫、贝多芬、弗兰克。他也被认为是肖邦、德彪西和20世纪音乐的伟大演奏家。他是俄罗斯许多20世纪作曲家作品的第一位表演者:b<s:1> Bartók, Paul hindemmith (Ludus tonalis循环等)，以及G.I. Ustvolskaya的第二奏鸣曲和V.E.索斯林的奏鸣曲的世界首演。 Anatoly Vedernikov于1993年在莫斯科去世。他去世后，日本厂牌Denon发行了26张CD的《钢琴家》(截至2000年)。 |
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| 阿纳托利·维德尼科夫（Anatoly Vedernikov） | ||||||||||||||||||||||||
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Anatoly Vedernikov
(Piano, Arranger) Born: 1920 - Harbin, china Died: 1993 - Moscow, Russia The Russian pianist and music teacher, Anatoly (Tolia) Ivanovich Vedernikov, was born in Harbin in 1920 in the family trade worker. His performing career began in 1930 as a pianist-prodigy. In 1933 he graduated from the Higher School of Music in Harbin (Class VI Dilon). Before 1936 he gave concerts in China and Japan (where he took lessons from pianist L. Sirota). In 1936 he entered the Moscow Conservatory (in the class of Heinrich Neuhaus), from which he graduated in 1947. In 1937, both his parents were repressed: his father was shot, and his mother was sentenced to 8 years imprisonment. In 1942, Anatoly Vedernikov gave his first solo concert in Moscow. In 1945 took part in the All-Union Competition of performing musicians, but was not admitted to the 3rd round. He became a great friend of Sviatoslav Richter (also a student of Heinrich Neuhaus) when he arrived in Moscow in 1937. In 1940-1959, they often performed together: J.S. Bach's Concerto, Rondo of Frédéric Chopin, Concerto pathétique of Franz Liszt, En blanc et noir of Debussy, the 2nd Suite of Sergei Rachmaninov and Béla Bartók's Sonata.. Creative relationship tied the pianist with Prokofiev, who instructed him to do transcriptions and instrumentation of a number of his works; Vedernikov was the first performer in Russia of his Fourth Concerto for Piano and Orchestra. He was also the first (after the composer) to perform the 1st and 24th Preludes & Fugues for piano, Op. 87 by Dmitri Shostakovich, who valued the interpretation of his works. Vedernikov became a soloist on the Moscow concert scene, but his musical activities took primarily place on the periphery. From 1958 Anatoly Vedernikov taught at Musical-Pedagogical Gnesin Institute (since 1963 Associate Professor), since 1980 at the Moscow Conservatory (since 1985 Professor). Among his pupils were A.V. Sheludyakov, N.S. Kislenko. His career did not develop outstide the Soviet Unions, but since 1969 he began performing abroad (in the socialist countries); in 1980 he made his debut in Italy and Scotland, then toured in Finland and Germany. In 1983 he was awarded the title of "Honored Artist of the RSFSR '. The Performing style of Anatoly Vedernikov shows different intellectual rationalism. He preferred product of philosophical plan: J.S. Bach, L.v. Beethoven, César Franck. He was also considered a great performer of Frédéric Chopin, Debussy and music of the 20th Century. He was the first performer in Russia of many works of 20th Century composers: Béla Bartók, Paul Hindemith (Ludus tonalis cycle, etc.), as well as performed world premieres of the 2nd sonata of G.I. Ustvolskaya and sonatas by V.E. Souslin. Anatoly Vedernikov died in Moscow in 1993. After his death, the Japanese label Denon issued on 26 CD's pianist (as of 2000). |
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| 维德尼科夫演奏的唱片封面 | ||||||||||||||||||||||||
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| 阿纳托利·维德尼科夫（Anatoly Vedernikov）在演奏 | ||||||||||||||||||||||||
| 德彪西《贝加摩组曲》钢琴巨匠维德尼科夫演奏 | ||||||||||||||||||||||||
| 阿纳托利·伊万诺维奇·维德尼科夫（Anatoly Ivanovich Vedernikov）1920年出生于中国哈尔滨，1993年于莫斯科逝世，是俄罗斯著名的钢琴家。师承苏联著名钢琴大师海因里希·涅高兹，与同门师兄里赫特是好友。擅长德奥系的曲目，尤其是贝多芬的曲目。维德尼科夫是个音色变化的大师，他光靠细微音色变化便可以形成特殊的织体，隐含着张力维系他那慢得出奇的慢板乐章弹奏。当回到快板时，他又能够将丰沛的能量注入这些快速、清晰的音群之中。他的音色很特别，有如经琢磨般的琴音像是不经过键盘迳自由钢琴内部涌出，自然地鸣响，带着温暖、不可思议的透明感渗入听众的内心深处。你永远摸不透这充满魅力的琴音向前推动的力量来自何处？他的演奏不像里赫特、吉利尔斯会让人立刻意识到在音乐演奏的背后有一颗与众不同，匠心独具的头脑；他的音乐，令人联想到巴克豪斯(Wilhelm Backhaus)这位钢琴家，音乐是自然地流动。不管是什么类型的音乐，都没有多余的表情、戏剧性的演奏效果 。 | ||||||||||||||||||||||||
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钢琴家维德尼科夫 被誉为神童，10岁开始公开演出。1933年，他从哈尔滨的高等音乐学院毕业并获得金质奖章。1935年（15岁）维德尼科夫前往日本，与新交响乐团（也就是现在的NHK交响乐团）一起演出，大受好评。日本演出之后，维德尼科夫和家人回到苏联，后来因为斯大林的肃清运动，维德尼科夫的父母遭到逮补，不久后父亲被枪杀，母亲则被强制送到收容所。当时在莫斯科音乐学院深造的维德尼科夫，也被列在通缉名单之中，而涅高兹则是他的钢琴老师。涅高兹曾断言，维德尼科夫足以与里赫特(斯维亚托斯拉夫·特奥菲洛维奇·里赫特)、吉利尔斯(埃米尔·吉利尔斯)齐名，而这三个人是他最感骄傲的学生，维氏的钢琴技艺足以称霸一方。 然而由于维德尼科夫被苏维埃共产政权盯上，所以始终无法如吉利尔斯（20世纪五十年代初期获得出国演出批准）、里赫特（20世纪五十年代末期获得出国演出批准）一样出国演奏，活跃范围一直在俄国境内，直到旧苏联瓦解之后，他终于可以前往国外演奏（20世纪八十年代初期），他先后前往意大利、芬兰、德国等地举行演奏会。原本维德尼科夫预定在1993年回到久违半世纪的日本演奏，但却在公演之前的1993月7月去世。在维德尼科夫死后，他的录音首度在日本发行，引起相当大的反响。 |
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Anatoly
Ivanovich Vedernikov was born in Harbin, China in
1920. He died in Moscow in 1993.Under the guidance
of the famous Soviet piano master heinrich niegorz,
and the same door brother Richter is a good
friend.He is good at German and Austrian works,
especially those of Beethoven. Vydnikov was a master of inflection, creating a special texture with only slight inflection, with the implied tension that held his surprisingly slow adagio together.When he returned to allegro, he was able to infuse these fast, clear vocal groups with abundant energy. He had a very special tone, a polished sound that gushed out of the piano without going through the keyboard, and sounded naturally, with a warmth and an incredible transparency that seeped into the heart of the audience.You'll never know where the power of the charmful music comes from.His playing is not like Richter or gillies, which makes people immediately realize that there is a different and unique mind behind the music playing.His music, reminiscent of the pianist Wilhelm Backhaus, flows naturally.No matter what type of music, there is no redundant expression, dramatic performance effect. |
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| Acclaimed as a child prodigy, pianist vidnikov began performing in public at the age of 10.In 1933, he graduated from the higher conservatory of music in Harbin and was awarded a gold medal.In 1935 (at age 15), vidnikov went to Japan to perform with the new symphony orchestra, now known as NHK, to great acclaim.After performing in Japan, vidnikov returned with his family to the Soviet union, where his parents were arrested for Stalin's purgatory, his father shot and his mother forcibly taken to an asylum.Vedernikov, then studying at the Moscow conservatory of music, was also on the wanted list, while niegorz was his piano teacher.Niegorz once asserted that vidnikov was worthy of the name of Richter (sviatoslav teofilovich Richter) and giles (Emile giles), his three proudest students, whose piano skills were enough to dominate.Yet because wade who targeted by Soviet communist regime, so always can't such as geely, (the early 50 s of the 20th century performance abroad approved), in the hurt (50 s of the 20th century approval performance abroad) to play abroad, active range has been within the territory of Russia, until after the old Soviet union, he finally can go to play abroad (in the early eighty s of the 20th century), he went to Italy, Finland, Germany and other places held a concert.Vidnikov was scheduled to return to Japan in 1993 after a long absence of half a century to play, but died in July 1993, before the public performance.After vidnikov's death, his recordings were first released in Japan, to considerable acclaim. | ||||||||||||||||||||||||
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