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| 爱德华·拉罗(Edouard Lalo 1823-1892） | ||||||||||||||||||||||||
| 奥古斯丁 & 小提琴·拉罗-西班牙交响曲｜Augustin Hadelich·Violin & Lalo-Symphonie espagnole | ||||||||||||||||||||||||
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拉洛：《西班牙组曲》（法国国家交响乐团）2022年5月30日 法国国家交响乐团在克里斯蒂安·马塞拉鲁的指挥下演奏了这部作于 1874 年的西班牙交响曲，该曲由埃杜阿德·拉洛创作。 结构： 快而不急 轻快地：极快的快板 间奏曲：稍慢的快板 慢板 回旋曲：快板 |
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Lalo : Symphonie
espagnole (Orchestre national de France) 5月30日 2022年 L'Orchestre national de France joue, sous la direction de Cristian Macelaru, la Symphonie espagnole composée en 1874 par Edouard Lalo. Structure : Allegro non troppo Scherzando : Allegro molto Intermezzo : Allegretto non troppo Andante Rondo : Allegro |
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音乐历史上的今天
1879年10月26日，爱德华.拉罗的《挪威狂想曲》（Rhapsodie
Noevegienne）没有获得如其《西班牙交响曲》那样的反响。 |
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| 爱德华·拉罗(Edouard Lalo） | ||||||||||||||||||||||||
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Today in the history of music On October 26, 1879, Edvard Lalo's "Norwegian Rhapsody" did not receive the same response as his "Spanish Symphony". French composer and violinist Edvard Lalo (1823-1892) was born on January 27, 1823, in a family of Spanish descent in Lille. During his childhood, he had the privilege of receiving strict training in playing string instruments from the violin teacher at the Lille Music Academy and a local cellist who had played in Beethoven's conducting orchestra. Therefore, his initial hobby was primarily chamber music. Lalo's desire to pursue a career in music was not understood by his father, and at the age of 16 (1839), he resolutely left home and went to Paris to study composition at the music academy, but the period was not long. Lalo's life story is rarely known, even the college archives have incomplete records. It is only known that during his twenties to his thirties, his main interest was still chamber music. He wrote sonatas and salon-style songs, but they were not successful. For a long time, he lived by teaching and playing the violin or viola in the Armingaud-Jacquard Quartet he founded in 1853. After ten years of creative pause, Lalo began to write the opera "Fesco" for a competition based on Schiller's theme in 1867, but it neither won an award nor received an opportunity for performance. Later, the author used some of the materials to rewrite other works. Several years later, Lalo turned to composing instrumental works, and the results were quite different. His "Jubilee" (1872), "Spanish" Symphony (1873), and several violin concertos, "Norwegian" Rhapsody (1881), and "G minor Symphony" (1885-1886), etc., were all warmly welcomed by the audience. At the same time, Lalo did not give up writing operas. His new opera "King of Is City" began in 1875 and was completed in 1887, a total of thirteen years. This work went through a long and difficult period, and when it was successfully performed and won an award in 1888, Lalo was 65 years old and not far from his death. His last unfinished opera "Zakre Peasant Uprising" was later completed by French composer A. Coquard (1846-1910). The enthusiasm aroused by the Franco-Prussian War prompted some patriotic composers, including Saint-Saëns, to form the French National Music Association in 1871, aiming to revive the French national music culture. Lalo was a member of the association along with Frank, Guiraud (1837-1892), Dubois (T. Dubois, 1837-1924), and Fauré, etc. Lalo added the passionate temperament that Saint-Saëns lacked to French music, as well as the rhythmic vitality combined with refinement and skill, and the inherent characteristics of the French people in expressing emotions, such as quick and clear reactions. If French composer David (F. C. David, 1810-1876) introduced the oriental flavor into the French concert hall in his symphonic anthem "Desert" in 1844, before Liszt began to create his series of symphonic poems, then Lalo was more confident in developing this exotic taste and making it one of the most prominent features of French music later. His symphony "Spain", the rhapsody "Norway", the fantasy "Nawie", the concerto "Russia", and the fragments of the ballet "Namona", all exhibit a picturesque tendency - this is further emphasized in many different works by French composers such as Chabrier, Debussy, Ravel, Schmidt and Roussel. Therefore, it can be said that in terms of the application of orchestral color, Rallo was the direct precursor of the younger generation in the French music circle. Rallo was quite weak in body due to intense creative work in his later years. At the time of writing the ballet "Namona", he had suffered from paralysis due to lack of physical strength. On April 22, 1882, he passed away in Paris due to a sudden heart attack. Today's video: 1. Augustin Hardlich performs Rallo's "Symphony of Spain"; 2. Edgar Moreau performs the cello concerto by Édouard Rallo (1823 - 1892). |
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| 爱德华·拉罗(Edouard Lalo) | ||||||||||||||||||||||||
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| 爱德华.拉罗的《挪威狂想曲》（Rhapsodie Noevegienne）封面 | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)唱片封面 | ||||||||||||||||||||||||
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| 拉罗《伊斯国王》首演演出海报。 | ||||||||||||||||||||||||
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| 拉罗的声乐作品和钢琴的乐谱 | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)唱片，穆特演奏《西班牙交响曲》 | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo) | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)唱片封面 | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)大提琴协奏曲唱片封面 | ||||||||||||||||||||||||
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| 梅纽因演奏爱德华·拉罗(Edouard Lalo)小提琴协奏曲《西班牙交响曲》唱片封面 | ||||||||||||||||||||||||
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| 胡贝尔曼演奏爱德华·拉罗(Edouard Lalo)小提琴协奏曲《西班牙交响曲》唱片封面 | ||||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)大提琴协奏曲唱片封面 | ||||||||||||||||||||||||
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爱德华·拉罗(Edouard Lalo）
- 签名版亲笔信 Lalo, Edouard - Autograph Letter Signed |
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| 法国作曲家（1823 - 1892），其最著名的作品是《西班牙组曲》，这是一部为小提琴与管弦乐队创作的五乐章协奏曲，至今仍是标准曲目中的热门作品。这封手写信为法语书写（未翻译出售），由其本人签名，未标注年份。尺寸为 4.3 x 7.1 英寸，1 页，有一些锈斑，中间有折痕，但整体保存状况极佳。 | ||||||||||||||||||||||||
| French composer (1823-1892), whose most celebrated piece is the Symphonie Espagnole, a five-movement concerto for violin and orchestra that remains a popular work in the standard repertoire. Autograph letter in French (sold untranslated) signed by him, no year indicated. Size is 4.3 x 7.1 inches, 1 page, some rust stains, central fold, otherwise in very good condition. | ||||||||||||||||||||||||
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瓦邦花园纪念雕像 1922 年，一位名叫马赛厄斯·凯夫（1878 - 1957 年）的雕塑家创作的首个雕像作品——描绘拉洛以及《伊斯国王》中的角色——被竖立在瓦邦花园内，但后来在战争期间被拆除。1968 年，如今矗立于此的这座雕像才得以重建。市政档案馆会在当时的文件中为您提供更多详细信息…… |
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LE MONUMENT COMMÉMORATIF AU JARDIN VAUBAN En 1922, un premier monument représentant Lalo et les personnages du Roi d'Ys par le sculpteur Maurice Quef (1878-1957) fut érigé au jardin Vauban avant d'être détruit pendant la guerre. Il a été remplacé en 1968 par celui trônant aujourd'hui. Les archives municipales vous en disent plus dans le document du moment... |
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| 奥古斯丁·哈德里希（Augustin Hadelich） | ||||||||||||||||||||||||
| 奥古斯丁·哈德里希（Augustin Hadelich）1984年4月4日出生于意大利，是一位著名的德国古典派小提琴家。他是一名天才儿童，在早期学习中，主要依靠不定期的参加大师班课程，他的老师包括乌托·乌季（Uto Ughi）、克里斯多夫·波本（Christoph Poppen）、伊格·奥兹姆（Igor Ozim）等。1999年他在自家农场遭遇一场严重的火灾，随后全家移民到德国。2004年他又随父母移民到美国。以优异的成绩毕业于意大利利沃诺音乐学院，随后他又在美国茱莉亚音乐学院深造，获得艺术家文凭，师从于Joel Smirnoff。凭借媒体所描述的“华丽的音色”、“诗一样的感受”以及“运指如飞的才华”跻身于顶尖青年小提琴家行列。 | ||||||||||||||||||||||||
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| Augustin Hadelich was born on April 4, 1984 in Italy. He is a renowned German classical violinist. He was a child prodigy and mainly relied on irregular participation in master classes during his early learning. His teachers included Uto Ughi, Christoph Poppen, Igor Ozim, and others. In 1999, a severe fire occurred on his family's farm, and the entire family then immigrated to Germany. In 2004, he moved to the United States with his parents. He graduated with excellent grades from the Lucca Conservatory of Music in Italy, and later he furthered his studies at the Juilliard School in the United States, obtaining an artist diploma and studying under Joel Smirnoff. He has entered the ranks of top young violinists thanks to media descriptions of his "gorgeous tone", "poetic feelings", and "flying finger technique". | ||||||||||||||||||||||||
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| 克里斯蒂安·马塞拉鲁（Cristian Măcelaru） | ||||||||||||||||||||||||
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克里斯蒂安·马塞拉鲁（Cristian
Măcelaru）是罗马尼亚指挥家，现任法国国家交响乐团音乐总监，2021年上任，任期四年。 他19岁时便登上卡内基音乐厅指挥台，2012年首次与芝加哥交响乐团合作并获得“索尔蒂指挥新星奖”，2014年再获“索尔蒂指挥奖”。此后，他与全球多家知名乐团合作，包括纽约爱乐乐团、克利夫兰管弦乐团等，并在欧洲多国乐团担任客座指挥。 2019年，他被任命为法国国家交响乐团音乐总监，接替埃马纽埃尔·克吕文（Emmanuel Krivine）。任期内，他带领乐团演绎了勃拉姆斯《D大调第二交响曲》等经典作品，并拓展了当代音乐曲目。
格莱美奖得主指挥家克里斯蒂安·马切拉鲁是辛辛那提交响乐团的音乐总监、法国国家交响乐团的音乐总监、乔治·埃内斯库音乐节及比赛的艺术总监、伊尔洛切恩艺术中心世界青年交响乐团的艺术总监兼首席指挥、卡布里洛当代音乐节的音乐总监兼指挥以及莱斯大学谢泼德音乐学院的杰出客座艺术家。他还担任科隆
WDR 交响乐团的艺术合作伙伴，自 2019/2020 季至 2024/25 季期间担任首席指挥。 |
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Cristian Măcelaru
is a Romanian conductor. Currently, he serves as the music director of
the French National Symphony Orchestra. He took up the position in 2021
and will hold it for four years. At the age of 19, he stepped onto the
podium of Carnegie Hall. In 2012, he first collaborated with the Chicago
Symphony Orchestra and won the "Solti Young Conductors Award". In 2014,
he also received the "Solti Conductors Award". Since then, he has
collaborated with many renowned orchestras worldwide, including the New
York Philharmonic and the Cleveland Orchestra, and has served as a guest
conductor in several European orchestras. In 2019, he was appointed as
the music director of the French National Symphony Orchestra, replacing
Emmanuel Krivine. During his tenure, he led the orchestra in performing
classic works such as Brahms' "D Major Symphony No. 2" and expanded the
repertoire of contemporary music. Grammy Award-winning conductor Christian Macheiraux is the music director of the Cincinnati Symphony Orchestra, the music director of the French National Symphony Orchestra, the artistic director of the George Enescu Festival and Competition, the artistic director and principal conductor of the Ilrochen Art Center's World Youth Symphony Orchestra, the music director and conductor of the Capurlo Contemporary Music Festival, and an outstanding visiting artist at the Shepard School of Music at Rice University. He also serves as an artistic partner of the Cologne WDR Symphony Orchestra and has been the principal conductor from the 2019/2020 season until the 2024/25 season. The 2025/26 season marks the first season for Macheiraux as the music director of the Cincinnati Symphony Orchestra. During this period, his program arrangements reflect his broad artistic vision and dual pursuit of tradition and innovation. |
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| 埃德加·莫罗(Edgar Moreau) | ||||||||||||||||||||||||
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埃德加·莫罗 传记 法国大提琴家埃德加·莫罗在2015年21岁,已经可以回顾一些非凡的成就,其中成为赢家——只是17岁的俄罗斯强大的柴可夫斯基比赛二等奖,赢得了年轻的独奏者奖2009年巴黎,那个大提琴家罗斯特罗波维奇一样大提琴比赛和表演等著名音乐家耶夫,Gidon克雷默是Andras希夫,尤里•Bashmet Krzysztof Penderecki,古斯塔夫。杜达梅尔,Renaud Capucon,Nicholas Angelich, Frank Braley, Khatia Buniatishvili, Gerard Causse和Talich四重奏。2013年，他的巨大潜力在法国顶级音乐奖项“音乐胜利奖”(Les Victoires de la Musique)中得到彰显，该奖项将他评为今年年轻古典乐器演奏家的“启示”。 他发行了他的首张专辑在2014年3月与钢琴家皮埃尔·埃拉托Hodique:玩是短篇的集合和杰出的内容从波普尔,帕格尼尼,肖邦,Saint-Saens,福尔,Dvořak,马斯奈,舒伯特,Poulenc和柴可夫斯基。他的后续专辑，Giovincello，展示了18世纪的大提琴协奏曲记录与意大利巴洛克合奏Il Pomo d'Oro。 埃德加·莫罗出生在巴黎，4岁时第一次意识到自己想要演奏大提琴。当时，他和父亲去一家古董店，看到一个女孩正在学习大提琴，他就对大提琴产生了浓厚的兴趣。此后不久，他开始学习音乐，11岁的时候就开始与一些大型管弦乐队一起举办音乐会。从13岁起，他就在巴黎的国家音乐学院学习。他参加过林恩·哈勒尔(Lynn Harrell)、安那·比斯玛(Anner Bylsma)、米克洛斯·佩雷尼(Miklos Perenyi)、加里·霍夫曼(Gary Hoffman)和大卫·格林加斯(David Geringas)等大提琴演奏家的大师班，自2013年10月以来，他一直在法兰克福附近的Kronberg Academy就读。 当国际音乐网站的编辑Bachtrack看到埃德加·莫罗执行在格施塔德在2013年年初,他下面说:“一个总是一个年轻的音乐家的音乐会,希望这将是特别的一天,当你听到一个演员,你要绝对相信将会是一个未来之星。这一希望只在少数场合实现:这场音乐会就是其中之一。我愿意打赌，十九岁的巴黎大提琴家埃德加·莫罗(Edgar Moreau)会有一个闪闪发光的事业……他的演奏肌肉发达，他全身心地投入到音乐中……莫罗的舞台表现力很强，面部灵活多变，可以瞬间从微笑变成鬼脸，但总是表现出对音乐的深度投入……尽管年纪这么小，莫罗却能用他响亮的声音和无拘无束的风格完全赢得了观众。我认为他会成为赢家。” |
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| 埃德加·莫罗(Edgar Moreau) | ||||||||||||||||||||||||
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Edgar
Moreau BIOGRAPHY The French cellist Edgar Moreau, who turned 21 in 2015, can already look back on a number of exceptional achievements, among them becoming the winner – at the age of just 17 – of the Second Prize in Russia’s formidable Tchaikovsky Competition, winning the Young Soloist Prize in the 2009 Rostropovich Cello Competition in Paris, and performing with such distinguished musicians as Valery Gergiev, Gidon Kremer, András Schiff, Yuri Bashmet, Krzysztof Penderecki, Gustavo Dudamel, Renaud Capuçon, Nicholas Angelich, Frank Braley, Khatia Buniatishvili, Gérard Caussé and the Talich Quartet. In 2013 his huge potential was highlighted by France’s top music awards, Les Victoires de la Musique, which named him the year’s ‘Révélation’ among young classical instrumentalists. He released his debut album in March 2014 on Erato with pianist Pierre-Yves Hodique: Play is a collection of short pieces and brilliant encores from Popper, Paganini, Chopin, Saint-Saëns, Fauré, Dvořák, Massenet, Schubert, Poulenc and Tchaikovsky among others. His follow-up album, Giovincello, presents 18th-century cello concertos recorded with the Italian Baroque ensemble Il Pomo d'Oro. A Parisian by birth, Edgar Moreau first realised he wanted to play the cello when he was just four years old – the instrument caught his imagination when he saw a girl having a cello lesson in an antique shop he was visiting with his father. He began lessons soon afterwards, and was giving concerts with major orchestras by the time he was 11 years old. Since the age of 13 he has been a student at the Conservatoire National Supérieur de Musique in Paris. He has participated in masterclasses given by such cellists as Lynn Harrell, Anner Bylsma, Miklós Perényi, Gary Hoffman and David Geringas, and since October 2013 has been attending the Kronberg Academy near Frankfurt – home to the Emanuel Feuermann Conservatory, named after the legendary Ukrainian-born cellist. When the editor of the international music website Bachtrack saw Edgar Moreau perform in Gstaad in early 2013, he had the following to say: “One always comes to a young musician’s concert with a hope that this will be that special day when you hear a performer who you are absolutely sure will be a star of the future. That hope only comes to fruition on a small number of occasions: this concert was one of them. I'm willing to take bets that nineteen year-old Parisian cellist Edgar Moreau is going to have a glittering career ... His playing is muscular and he throws himself into the music ... and Moreau has bags of stage presence, with a flexible face which can turn from smile to grimace and back in an instant but always shows deep involvement with the music ... Even at such a young age, Moreau can completely win over an audience with his big sound and no-holds-barred style. I think he's going to be a winner.” |
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| 埃德加·莫罗演奏爱德华·拉罗(1823 - 1892)大提琴协奏曲 | ||||||||||||||||||||||||
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伦敦交响乐团 弗朗索瓦-泽维尔罗斯(指挥) 埃德加·莫罗(大提琴) 程序 理查德·瓦格纳(1813 - 1883) 序曲,唐怀瑟 爱德华·拉罗(1823 - 1892) 大提琴协奏曲 克劳德·德彪西(1862 - 1918) 首映套件 儒勒·马斯内(1842 - 1912) 莱西德-套曲 录音:2018年1月21日-伦敦巴比肯音乐厅| 指挥:科宁·莱康特 |
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CASTING London Symphony Orchestra François-Xavier Roth (Conductor) Edgar Moreau (Cello) PROGRAM Richard Wagner (1813 - 1883) Overture to Tannhäuser Edouard Lalo (1823 - 1892) Cello Concerto Claude Debussy (1862 - 1918) Première Suite Jules Massenet (1842 - 1912) Le Cid - Suite Recording: January 21 2018 - Barbican Hall | London Director: Corentin Leconte |
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